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Fused and kiln-formed glass sculpture. Glass fusing is the joining together of pieces of glass at high temperature, usually in a kiln. [1] [2] This is usually done roughly between 700 °C (1,292 °F) and 820 °C (1,510 °F), [3] [4] and can range from tack fusing at lower temperatures, in which separate pieces of glass stick together but still retain their individual shapes, [5] to full fusing ...
Warm glass or kiln-formed glass is the working of glass, usually for artistic purposes, by heating it in a kiln. The processes used depend on the temperature reached and range from fusing and slumping to casting. "Warm glass" is in contrast to the many cold-working glass processes, such as leaded glass. "Hot glass", glassblowing, or lampworking ...
Since devitrification can change the COE somewhat, and devitrified glass tends to be somewhat harder to melt again, there is the possibility of this technique resulting in a less stable piece, however it has also been used effectively with full-fused pieces with no apparent problems. Applying devit spray and refiring can also be effective.
Glass casting is the process in which glass objects are cast by directing molten glass into a mould where it solidifies. The technique has been used since the 15th century BCE in both Ancient Egypt and Mesopotamia. Modern cast glass is formed by a variety of processes such as kiln casting or casting into sand, graphite or metal moulds.
The process of hot glass is highly scientific in that the types of glass and temperatures that they must be fired at is quite complicated operation to undertake correctly. Art glass that is kiln formed usually take the form of dishes, plates or tiles. Glass that is fused in a kiln must be of the same co-efficient of expansion (CoE). If glass ...
Kiln – the kiln is used to garage and anneal the glass, protecting the piece from thermal shock and relieving thermal stress. Marver – flat surfaces used to roll glass upon in order to shape, smooth or consolidate applied decoration, typically made of graphite or steel .
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