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Eh La Bas is a traditional New Orleans song.Originally it was sung with Cajun lyrics but was later given French lyrics and the common title from the French lyrics. There have been numerous versions, including English lyrics that refer to both the Cajun and French versions, and all employ a call and response.
"Tit Galop Pour Mamou" (English: either Canter to Mamou or Giddy-Yap to Mamou) is a Cajun folk song with words and music by Dewey Balfa. The tune behind Joe South's "Games People Play" resembles the tune of "Tit Galop Pour Mamou" to some extent. A recording of the song by Mamou Master was used on the soundtrack of the 1991 film Scorchers. [1]
Cajun English is traditionally non-rhotic and today variably non-rhotic. A comparison of rhoticity rules between Cajun English, New Orleans English, and Southern American English showed that all three dialects follow different rhoticity rules, and the origin of non-rhoticity in Cajun English, whether it originated from French, English, or an independent process, is uncertain.
The Mardi Gras song, known in the local Cajun French as "La Danse de Mardi Gras" and "La Vieille Chanson de Mardi Gras ", [30] is a traditional tune sung by the participants, although the exact lyrics vary greatly from town to town. The melody of the traditional folk song is similar to melodies of the Bretons from the northern coast of France. [8]
As of today, Old French music, Creole stomp, and Louisiana French rock remain the only three genres of music in Louisiana using French instead of English. Most "Cajun" artists have expressions and phrases in French in songs, predominantly sung in English. [82] [83] [84]
Endocrinologists share uncommon symptoms of diabetes that may indicate type 1, type 2, or prediabetes. Some signs include infections and dry skin.
Some of Us spent a lot of time listening to Jason and Travis Kelce’s “New Heights” podcast in 2024 so you didn’t have to — and there are still a few moments living rent-free in our heads.
The term Creole music (French: musique créole) is used to refer to two distinct musical traditions: art songs adapted from 19th-century vernacular music; or the vernacular traditions of Louisiana Creole people which have persisted as 20th- and 21st-century la la and zydeco in addition to influencing Cajun music.