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In the late 18th to 19th century archaeology became a national endeavor as personal cabinets of curios turned into national museums. People were now being hired to go out and collect artifacts to make a nation's collection more grand and to show how far a nation's reach extends.
The Brukenthal National Museum, erected in the late 18th century in Sibiu, Transylvania, Romania, housed in the palace of Samuel von Brukenthal—who was Habsburg governor of Transylvania and who established its first collections around 1790. The collections were officially opened to the public in 1817, making it the oldest institution of its ...
The use of cherubs became commonplace in the Boston area in the mid-18th century. They are more commonly found in southern rather than northern parts of New England, especially in Rhode Island and Connecticut, where from the beginning of the 18th century, the majority of headstone designs were of Cherub or Winged Soul effigies. [41]
French-style trade goods from the 18th century found here included trade beads, axe heads, metal knives, and gun parts. [2] In his 2002 book, Odell explains that the gun parts were the only artifacts from the Lasley Vore site that could be positively identified as coming from a specific country (France) at a specific time (early 18th century).
College students exploring an 18th century tenement in Charleston, South Carolina, discovered what appears to be a flintlock-style pistol in the rarely-visited basement, according to Clemson ...
Records indicate that Bronze Age gold artefacts had begun to be discovered by the 18th century at the least, although at the time many were melted down or lost. Only with the rise of the antiquarian and then archaeological movements were the antiquity of these items recognised, after which they were more usually preserved in collections.
The 22 artifacts, some of which date back to the 18th and 19th centuries, represent a significant piece of Okinawan history. ... The family then checked the National Stolen Art File and discovered ...
Throughout the 18th century, a counter movement opposing the Rococo sprang up in different parts of Europe, commonly known as Neoclassicism. It despised the perceived superficiality and frivolity of Rococo art, and desired for a return to the simplicity, order and 'purism' of classical antiquity, especially ancient Greece and Rome.
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