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Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006). Chinese symbolism and art motifs : a comprehensive handbook on symbolism in Chinese art through the ages. New York: Tuttle Pub. ISBN 978-1-4629-0314-6. OCLC 782879753
The automated nature of Can't Help Myself categorizes the sculpture as a work of kinetic art, which, in turn, generates an anthropomorphic quality to the robotic arm. [1] This anthropomorphism partially is because of the robotics performative nature and completion of the human task of cleaning up a spillage. [ 1 ]
The exhibition was held in an Eastlink Gallery warehouse by Feng Boyi and the 43-year-old Ai Weiwei, and is revered by many young Chinese artists. [2] Ai encapsulated Fuck Off's artistic-curatorial attitude with one set of photos in which he gives the finger in turn to the White House, the Forbidden City, and the viewer, and another in which he drops an ancient Han dynasty Chinese vase, which ...
Chinese Jade ornament with flower design, Jin dynasty (1115–1234 AD), Shanghai Museum.. The arts of China (simplified Chinese: 中国艺术; traditional Chinese: 中國藝術) have varied throughout its ancient history, divided into periods by the ruling dynasties of China and changing technology, but still containing a high degree of continuity.
As a sequel to Ai Weiwei's film Lao Ma Ti Hua, the film So Sorry (named after the artist's 2009 exhibition in Munich, Germany) shows the beginnings of the tension between Ai Weiwei and the Chinese Government. In Lao Ma Ti Hua, Ai Weiwei travels to Chengdu, Sichuan to attend the trial of the civil rights advocate Tan Zuoren, as a witness.
Freehand brush work is a genre of Chinese traditional painting which includes poem, calligraphy, painting and seal. In Chinese called Hsieh yi (traditional Chinese: 寫意; simplified Chinese: 写意; pinyin: Xiěyì), which literally means "writing ideas". [1] It was formed in a long period of artistic activities and promoted by the literati.
Mi Fu (1051–1107), originally named Mi Fei, [1] was a Chinese painter, poet, and calligrapher born in Taiyuan during the Song dynasty. He became known for his style of painting misty landscapes . This style would be deemed the "Mi Fu" style and involved the use of large wet dots of ink applied with a flat brush.
Shu (書) refers to Chinese calligraphy, which dates to the origins of recorded Chinese history, in essence ever since written characters have existed. Chinese calligraphy is said to be an expression of a practitioner's poetic nature, as well as a significant test of manual dexterity. Chinese calligraphy has evolved for thousands of years, and ...