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The automated nature of Can't Help Myself categorizes the sculpture as a work of kinetic art, which, in turn, generates an anthropomorphic quality to the robotic arm. [1] This anthropomorphism partially is because of the robotics performative nature and completion of the human task of cleaning up a spillage. [ 1 ]
The exhibition was held in an Eastlink Gallery warehouse by Feng Boyi and the 43-year-old Ai Weiwei, and is revered by many young Chinese artists. [2] Ai encapsulated Fuck Off's artistic-curatorial attitude with one set of photos in which he gives the finger in turn to the White House, the Forbidden City, and the viewer, and another in which he drops an ancient Han dynasty Chinese vase, which ...
On 24 October 2012, Ai went live with a cover of Gangnam Style, [64] the famous K-pop phenomenon by South Korean rapper PSY, through the posting of a four-minute long parody video on YouTube. The video was an attempt to criticize the Chinese government's attempt to silence his activism and was quickly blocked by national authorities.
Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006). Chinese symbolism and art motifs : a comprehensive handbook on symbolism in Chinese art through the ages. New York: Tuttle Pub. ISBN 978-1-4629-0314-6. OCLC 782879753
Mi Fu (1051–1107), originally named Mi Fei, [1] was a Chinese painter, poet, and calligrapher born in Taiyuan during the Song dynasty. He became known for his style of painting misty landscapes . This style would be deemed the "Mi Fu" style and involved the use of large wet dots of ink applied with a flat brush.
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Freehand brush work is a genre of Chinese traditional painting which includes poem, calligraphy, painting and seal. In Chinese called Hsieh yi (traditional Chinese: 寫意; simplified Chinese: 写意; pinyin: Xiěyì), which literally means "writing ideas". [1] It was formed in a long period of artistic activities and promoted by the literati.