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The Holy Grail was mentioned again in Templar Legends, ending up in either Scotland or Spain by different accounts. The Holy Grail appears again in Assassin's Creed: Altaïr's Chronicles, by the name of the Chalice, however this time not as an object but as a woman named Adha, similar to the sang rael, or royal blood, interpretation.
(Greek mythology) Shield of Ajax, a huge shield made of seven cow-hides with a layer of bronze. (Greek mythology) Ancile, the shield of the Roman god Mars. One divine shield fell from heaven during the reign of Numa Pompilius, the second king of Rome. He ordered eleven copies made to confuse would-be thieves. (Roman mythology)
The Holy Chalice, also known as the Holy Grail, is in some Christian traditions the vessel that Jesus used at the Last Supper to share his blood. The Synoptic Gospels refer to Jesus sharing a cup of wine with the Apostles , saying it was the covenant in his blood.
The following is a family tree of gods, goddesses, and other divine and semi-divine figures from Ancient Greek mythology and Ancient Greek religion. Chaos
In this highly muddled though better-known version, the vessel is known as the Holy Grail. In this legend, Jesus used the cup at the Last Supper to institute the Mass. Other stories claim that Joseph of Arimathea used the cup to collect and store the blood of Christ at the Crucifixion.
The 2001 game RuneScape features a quest called "Holy Grail", where the player must help King Arthur find the Holy Grail by traveling to the realm of the Fisher King. An episode of Midsomer Murders aired January 2004 with the title The Fisher King featuring a Celtic spear and chalice from Midsomer Barrow. The spear is the murder weapon.
God of mortality and father of Prometheus, Epimetheus, Menoetius, and Atlas. Mνημοσύνη (Mnēmosýnē) Mnemosyne: Goddess of memory and remembrance, and mother of the Nine Muses. Ὠκεανός (Ōceanós) Oceanus: God of the all-encircling river Oceans around the Earth, the fount of all the Earth's fresh-water. Φοίβη (Phoíbē) Phoebe
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.