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The study of African art until recently focused on the traditional art of certain well-known groups on the continent, with a particular emphasis on traditional sculpture, masks and other visual culture from non-Islamic West Africa, Central Africa, [15] and Southern Africa with a particular emphasis on the 19th and 20th centuries. Recently ...
The Nubian Kingdom of Kush in modern Sudan was in close and often hostile contact with Egypt, and produced monumental sculpture mostly derivative of styles to the north. In West Africa, the earliest known sculptures are from the Nok culture which thrived between 500 BC and 500 AD in modern Nigeria, with clay figures typically with elongated bodies and angular shapes. [3]
Similar pottery, also characterized by incised and dotted wavy lines, along with barbed bone points, was discovered in the Lake Turkana Basin of Kenya. [1] This pottery is much like that of Northeast Africa, especially the Khartoum pottery, but there are some regional differences in the decorating motifs, implements, and tempers used in the ...
From the Kerma culture (2500–1500 BCE), the seat of one of the earliest civilizations of ancient Africa, weapons, items of pottery and other household objects are presented in museums such as the National Museum of Sudan, Kerma Museum, British Museum, Museum of Fine Arts, Boston [7] and the Metropolitan Museum of Art.
African Red Slip flagons and vases, 2nd-4th century AD A typical plain African Red Slip dish with simple rouletted decoration. 4th century. African red slip ware, also African Red Slip or ARS, is a category of terra sigillata, or "fine" Ancient Roman pottery produced from the mid-1st century AD into the 7th century in the province of Africa Proconsularis, specifically that part roughly ...
Africa Explores: 20th-Century African Art. Center for African Art, 1994. Woodward, Richard B. African Art: Virginia Museum of Fine Arts. The Museum, 2000. Roberts, Allen F., et al. Animals in African Art: from the Familiar to the Marvelous. The Museum for African Art, 1995. "Baga - Art & Life in Africa - The University of Iowa Museum of Art."
The royal arts of the Benin Kingdom of southern region Nigeria affirm the centrality of the Oba, or divine king, portraying his divine nature. While recording the kingdom's significant historical events and the Oba's involvement with them, they also initiate the Oba's interactions with the supernatural and honor his deified ancestors, forging a continuity that is vital to the kingdom's well-being.
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