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Like most other Hekhalot texts, the Ma'aseh Merkabah revolves around the knowledge of secret names of God used theurgically for mystical ascent. It begins with a conversation between Rabbi Ishmael and Rabbi Akiva, [3] where the latter expounds on the mysteries of the spiritual world, as well as describing the appearance of the heavenly planes.
In the New Testament book of Revelation 4:6–8, four living beings (Greek: ζῷον, zōion) [5] are seen in John's vision. These appear as a lion, an ox, a man, and an eagle, much as in Ezekiel but in a different order. They have six wings, whereas Ezekiel's four living creatures are described as having four. [5]
The noun merkavah "thing to ride in, cart" is derived from the consonantal root רכב r-k-b with the general meaning "to ride". The word "chariot" is found 44 times in the Masoretic Text of the Hebrew Bible—most of them referring to normal chariots on earth, [5] and although the concept of the Merkabah is associated with Ezekiel's vision (), the word is not explicitly written in Ezekiel 1.
Verses 1.3.3–11 of Katha Upanishad deal with the allegoric expression of human body as a chariot. [5] The body is equated to a chariot where the horses are the senses, the mind is the reins, and the driver or charioteer is the intellect. [2] The passenger of the chariot is the Self (Atman). Through this analogy, it is explained that the Atman ...
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In one interpretation, the "Seven Spirits" represent the sevenfold ministry of the Spirit as depicted in the Book of Isaiah.As it is written: "The Spirit of the LORD shall rest upon him, the Spirit of wisdom and understanding, the Spirit of counsel and might, the Spirit of knowledge and of the fear of the LORD, and He will delight in the fear of the Lord."
It gets its name from the Hebrew word meaning "chariot", a reference to Ezekiel's vision of a fiery chariot composed of heavenly beings. Kabbalah is a set of esoteric teachings meant to explain the relationship between an unchanging, eternal and mysterious Ein Sof (no end) and the mortal and finite universe (his creation).
[3] [4] Olivelle assigns the Katha Upanishad to the verse Upanishads, together with the Kena, Isha, Svetasvatara, and Mundaka, [5] dating it to the first centuries BCE. [5] Paul Deussen too considers Katha Upanishad to be a post-prose, yet earlier stage Upanishad composed about the time Kena and Isha Upanishads were, because of the poetic ...