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Inferno (Italian: [iɱˈfɛrno]; Italian for 'Hell') is the first part of Italian writer Dante Alighieri's 14th-century narrative poem The Divine Comedy.It is followed by Purgatorio and Paradiso.
[1] It is Virgil, Dante's guide through Hell, who tells Dante "that the inhabitants of the infernal region are those who have lost the good of intellect; the substance of evil, the loss of humanity, intelligence, good will, and the capacity to love." [4] Satan stands at the center because he is the epitome of Dante's Hell.
In Inferno, the ninth and deepest layer of hell is for the sin of treachery, which Dante saw as the gravest of all crimes. Inhabitants include Satan , Judas Iscariot , and Cain . [ 5 ] The ninth layer is further subdivided into four sections by the type of treachery: Caina, Antenora, Ptolomea, and Judecca.
Dante, poised between the mountain of purgatory and the city of Florence, a detail of a painting by Domenico di Michelino, Florence 1465.. The Divine Comedy by Dante Alighieri is a long allegorical poem in three parts (or canticas): the Inferno (), Purgatorio (), and Paradiso (), and 100 cantos, with the Inferno having 34, Purgatorio having 33, and Paradiso having 33 cantos.
Inferno is the first section of Dante Alighieri's three-part poem Commedia, often known as the Divine Comedy.Written in the early 14th century, the work's three sections depict Dante being guided through the Christian concepts of hell (Inferno), purgatory (), and heaven (). [2]
The second circle of hell is depicted in Dante Alighieri's 14th-century poem Inferno, the first part of the Divine Comedy. Inferno tells the story of Dante's journey through a vision of the Christian hell ordered into nine circles corresponding to classifications of sin; the second circle represents the sin of lust , where the lustful are ...
Freeform has put in development Dante's Inferno, a drama series inspired by one of the best known works of the Western civilization. It hails from from Ethan Reiff & Cyrus Voris (Knightfall), Nina ...
In Dante's Inferno the Harrowing of Hell is mentioned in Canto IV by the pilgrim's guide Virgil. Virgil was in Limbo (the first circle of Hell) in the first place because he was not exposed to Christianity in his lifetime, and therefore he describes Christ in generic terms as a "mighty one" who rescued the Hebrew forefathers of Christianity ...