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These catechisms became known as "Lectures of the Craft" [1] and were gradually developed into a comprehensive instructional system that covered not only the ritual and symbolism, but also the spirit and morals of Freemasonry. [2] Like the actual Lodge rituals, also the Lectures were revised from time to time as Freemasonry developed. [1]
The whole system is transmitted to initiates through the medium of Masonic ritual, which consists of lectures and allegorical plays. [2] Common to all of Freemasonry is the three grade system of Craft or Blue Lodge freemasonry, whose allegory is centred on the building of the Temple of Solomon, and the story of the chief architect, Hiram Abiff. [3]
Tracing boards are painted or printed illustrations depicting the various emblems and symbols of Freemasonry. They can be used as teaching aids during the lectures that follow each of the Masonic Degrees, when an experienced member explains the various concepts of Freemasonry to new members. They can also be used by experienced members as ...
Hiram Abiff (also Hiram Abif or the Widow's son) is the central character of an allegory presented to all candidates during the third degree in Freemasonry. Hiram is presented as the chief architect of King Solomon's Temple. He is murdered inside this Temple by three ruffians, after they failed to obtain from him the Master Masons' secrets.
Except for rare exceptions, Masonic rites are most of the time under the control of Grand Lodges for the first three degrees then under the control of a concordant body for any upper degrees. [2] [3] The most practiced rite in the world from the Entered Apprentice degree is the Ancient and Accepted Scottish Rite. [4]
In the British Isles, most of continental Europe (including the masonically expanding states of eastern Europe), [1] and most nations of the Commonwealth (with the notable exception of Canada), the teachings of Royal Arch Masonry are contained in the "Supreme Order of the Holy Royal Arch" – a stand-alone degree of Freemasonry which is open to those who have completed the three Craft degrees.
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Preston soon began an extensive program of masonic research. Interviewing where he could, and entering into an extensive correspondence with Freemasons in Britain and overseas, he built a vast storehouse of masonic knowledge, which he applied initially to explaining and organising the lectures attached to the three degrees of Freemasonry.
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