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The sculptures depict standing male lions with a sphere or ball under one paw, looking to the side. Copies of the Medici lions have been made and publicly installed in over 30 other locations, and smaller versions made in a variety of media; Medici lion has become the term for the type. [citation needed]
The male lion has his right front paw on a type of cloth ball simply called an "embroidered ball" (繡球; xiù qiú), which is sometimes carved with a geometric pattern. The female is essentially identical, but has a cub under the left paw, representing the cycle of life.
The lions are not completely identical or merely mirror images: they have their heads turned east and west respectively (i.e., away from each other) and both gaze northwards, but both rest their left paw on a globe. The sculptures measure 1.7 × 2.7 × 1.0 meters, and the granite pedestals measure 1.9 × 2.7 × 1.2 meters. [1]
The two carved limestone companion pieces depict seated male lions, each with its front paw placed on a sphere. They are approximately 7 feet (2.1 m) tall and weigh 2,900 pounds (1,300 kg) each. They been placed in three different locations.
The sculpture is made of two stylized Chinese lions set on pedestals, facing each other. The female lion on the west holds a little cub in her arms. The male lion on the east plays with an embroidery ball. The lions represent luck and happiness. A gold inscription on the proper right side of the base of the female lion reads:
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The lion is seated and with one paw supports the coat-of-arms of Florence, the fleur de lys called il giaggiolo, the iris. Marzocco was` invoked in the Florentine battle cry and figures in Gentile Aretino's poem "Alla battaglia": "San Giorgio, [5] Marzoccho Marzoccho. suona percuoti, forbocta rintoccho Palle palle, [6] Marzoccho Marzoccho
Patting the lion's paw for "good luck" at HSBC Shanghai (1920s) The first set of lion sculptures were commissioned for the rebuilt HSBC Building on the Bund in Shanghai, opened in 1923. Chief Manager Alexander Stephen wrote, in 1921, that the inspiration for his decision to order their sculpting came from the imposing lions outside the Venetian ...
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