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The following are approximate tallies of current listings by county. These counts are based on entries in the National Register Information Database as of April 24, 2008 [2] and new weekly listings posted since then on the National Register of Historic Places web site. [3]
Plank and board are not consistently defined in history. Sometimes these terms are used synonymously. Board means a piece of lumber (timber) 1 ⁄ 2 inch (1.3 cm) to 1.5 inches (3.8 cm) thick and more than 4 inches (10 cm) wide. Plank generally means a piece of lumber (timber) rectangular in shape and thicker than a board.
Fascia (/ ˈ f eɪ ʃ ə /) is an architectural term for a vertical frieze or band under a roof edge, or which forms the outer surface of a cornice, visible to an observer. [ 1 ] Typically consisting of a wooden board, unplasticized PVC (uPVC), or non-corrosive sheet metal, many of the non-domestic fascias made of stone form an ornately carved ...
Bargeboard, 1908 illustration. A bargeboard or rake fascia is a board fastened to each projecting gable of a roof to give it strength and protection, and to conceal the otherwise exposed end grain of the horizontal timbers or purlins of the roof.
Examples can be found in churches and palaces, where stucco is mostly used to provide a smooth, decorative transition from walls to ceiling, decorating and giving measure to ceiling surfaces. Stucco is an integral part of the art of belcomposto , the Baroque concept that integrates the three classic arts , architecture , sculpture , and painting .
Germany is famous for its decorative half-timbering and the figures sometimes have names and meanings. The decorative manner of half-timbering is promoted in Germany by the German Timber-Frame Road, several planned routes people can drive to see notable examples of Fachwerk buildings. Gallery of some named figures and decorations:
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Victorian decorative arts refers to the style of decorative arts during the Victorian era. Victorian design is widely viewed as having indulged in a grand excess of ornament. Victorian design is widely viewed as having indulged in a grand excess of ornament.