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  2. Chord (music) - Wikipedia

    en.wikipedia.org/wiki/Chord_(music)

    For example, there are a number of songs in E major which use the ♭ III chord (e.g., a G major chord used in an E major song), the ♭ VII chord (e.g., a D major chord used in an E major song) and the ♭ VI chord (e.g., a C major chord used in an E major song). All of these chords are "borrowed" from the key of E minor.

  3. You Know My Name (Look Up the Number) - Wikipedia

    en.wikipedia.org/wiki/You_Know_My_Name_(Look_Up...

    A point of interest is the raised A melody note against a D/F ♯ chord on "name", "three" and "name". [7] A significant moment is the Tonicization of the dominant with the use of vii o 7 /V chord (G ♯ dim) as part of the progression to V 7 (A 7 chord on "You know my name") and I (D chord after "number") that closes the verse. [8]

  4. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]

  5. Chord substitution - Wikipedia

    en.wikipedia.org/wiki/Chord_substitution

    Composers may use chord substitutions when they are basing a new jazz tune on an existing chord progression from an old jazz standard or a song from a musical; arrangers for a big band or jazz orchestra may use chord substitutions in their arrangement of a tune, to add harmonic interest or give a different "feel" to a song; and instrumentalists ...

  6. Guitar chord - Wikipedia

    en.wikipedia.org/wiki/Guitar_chord

    Additional chords can be generated with drop-2 (or drop-3) voicing, which are discussed for standard tuning's implementation of dominant seventh chords (below). Johnny Marr is known for providing harmony by playing arpeggiated chords. When providing harmony in accompanying a melody, guitarists may play chords all-at-once or as arpeggios.

  7. Royal road progression - Wikipedia

    en.wikipedia.org/wiki/Royal_road_progression

    IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...

  8. AOL Mail

    mail.aol.com

    Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!

  9. The Killing Moon - Wikipedia

    en.wikipedia.org/wiki/The_Killing_Moon

    Through the thick and thin. He will wait until you give yourself to him.' You don’t dream things like that and remember them. That’s why I’ve always half credited the lyric to God. It’s never happened before or since." McCulloch attributed the use of astronomical imagery in the song to a childhood interest in space. [5]