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Rideau, Cruchon et Compotier (English: Curtain, Jug and Fruit Bowl) is an oil on canvas painting created c. 1893 to 1894 by French artist Paul Cézanne.It is a formal still life composition that displays Cézanne's exploration of form, balance and symmetry in objects.
Fruit Bowl on a Table is a c. 1934 still-life oil painting by the French artist Pierre Bonnard which was bought by the city of Strasbourg in 1995 from the heiresses of Claude Roger-Marx. Today this painting is in the Musée d'Art moderne et contemporain .
The painting is dominated by a depiction of a stemmed silver fruit bowl containing pears. A deliberately created optical illusion of the human face occupies the same space as the dish; the fruits suggest wavy hair, the dish's bowl becomes the forehead, the stem of the dish serves as the bridge of the nose, and the dish's foot doubles as the chin.
Fruit and a Jug on a Table is an oil and sand on canvas, signed JMetzinger, lower left, and inscribed on the reverse; Peint par moi / en 1916 / Metzinger. [3] The work represents a diverse grouping of objects—a bowl of fruit, a carafe (or jug), a glass, and a bottle labelled BANYU.
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The Fruit Bowl is an early 20th century drawing by Juan Gris. The work was produced as part of a collaboration between Gris and Pierre Reverdy to commission a book filled with lithographs made from the former's paintings. The project was interrupted by the onset of World War I in 1914 and never finished.
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Bernardo Polo (died c. 1700) was a Spanish painter, active in Zaragoza, depicting still-life paintings of fruit and flowers. He worked in 1680 and died about 1700. He worked in 1680 and died about 1700.
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