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Betrayal is a play written by Harold Pinter in 1978. Critically regarded as one of the English playwright's major dramatic works , it features his characteristically economical dialogue, characters' hidden emotions and veiled motivations, and their self-absorbed competitive one-upmanship, face-saving, dishonesty, and (self-)deceptions.
Episode 164 of the very popular American television series Seinfeld, entitled "The Betrayal" (originally broadcast 27 November 1997), is structured in reverse somewhat like Pinter's play and film Betrayal. Jerry Seinfeld's comic parodic homage to Harold Pinter, the episode features a character named "Pinter". [10]
Betrayal is a 1983 British drama film adaptation of Harold Pinter's 1978 play. With a semi-autobiographical screenplay by Pinter, the film was produced by Sam Spiegel and directed by David Jones . It was critically well received.
Tom Hiddleston, Charlie Cox, and Zawe Ashton, the stars of Broadway's "Betrayal," loves experimenting with the absurdist writing of Harold Pinter.
Exactly two months to the day they closed their acclaimed run in London, the cast of Harold Pinter’s “Betrayal” is stepping into the Bernard B. Jacobs Theatre on Broadway for the first look ...
Oh, and the play runs at the West End's Harold Pinter Theater from March to June 2019, ... his co-star in a 2019 West End revival of Harold Pinter’s Betrayal. 'I’m very happy' is all he wants ...
Harold Pinter (/ ˈ p ɪ n t ər /; 10 October 1930 – 24 December 2008) was a British playwright, screenwriter, director and actor.A Nobel Prize winner, Pinter was one of the most influential modern British dramatists with a writing career that spanned more than 50 years.
The Room is Harold Pinter's first play, written and first produced in 1957. Considered by critics the earliest example of Pinter's "comedy of menace", this play has strong similarities to Pinter's second play, The Birthday Party, including features considered hallmarks of Pinter's early work and of the so-called Pinteresque: dialogue that is comically familiar and yet disturbingly unfamiliar ...