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Their baby won't stop crying. The protagonist decides he wants to bring the baby with him but the woman won't let him even get near their baby. The two get into a tussle and a tug-of-war over the baby. The story ends with the man and the woman pulling tremendously on the baby, with somewhat ambiguously grim and dark possibilities.
The collection features eight intricate stories exploring themes of love, marriage, aging, and human relationships, including the titular story about an unlikely romance sparked by a teenage prank, and "The Bear Came Over the Mountain," a poignant examination of love and memory in the face of illness.
The post The 25 Best, Most Iconic Short Stories of All Time appeared first on Reader's Digest. Indisputable proof that good things come in small packages! These powerful short stories will stay ...
"The Beggar Maid" in The New Yorker, 27 June 1977; [9] in Who Do You Think You Are?, 1978; in 78: Best Canadian Stories, 9–42; in Best Canadian Short Stories (1981), 96–121. [8] (republished in 2006/ 2008) "The Children Stay" in The New Yorker, 22 December 1997, Extended summary, in The Love of a Good Woman, 1998 (republished in 2003, 2011 ...
Marriage was often the primary way for women to gain independence, as under English law, unmarried women were legally under the control of their fathers or other male relatives. [5] However, in an era where the number of women exceeded that of men, [ 6 ] finding an acceptable suitor, [ note 1 ] [ 6 ] could become a significant concern.
Doug Johnstone of The Independent called the story "King at his absolute best". [9] Carol Memmott of USA Today called it the best story of the collection and wrote, "It's a grim reminder that you can never really know the people you love, and it's a warning about how the little things in life can be the tipping point toward a living nightmare ...
"The Dead" is the final short story in the 1914 collection Dubliners by James Joyce. It is by far the longest story in the collection and, at 15,952 words, is almost long enough to be described as a novella. The story deals with themes of love and loss, as well as raising questions about the nature of the Irish identity.
Leyla Sanai in The Independent also comments on the dark tone on the collection, arising from the death of Barnes' wife Pat Kavanagh in 2008: "The stories in Pulse reflect this tragedy, the majority of them being concerned with loss: the death of a spouse or a parent; divorce and its aftermath; the snuffing out of vital senses such as sight ...