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The P-64 was drawn from a competition for a new service pistol issued in 1958. At the prototype stage, two versions of the CZAK pistol were created: the Model M (Milicyjny - Police), with a magazine capacity of 6 rounds and chambered to use the .380 ACP (9×17mm Short) cartridge and the Model W (Wojskowy - Military), with a longer barrel than the Model M, a 6-round magazine capacity and ...
After the Polish defeat in 1939, the Germans took over the Radom Armoury and continued production of the Vis under the new name of 9 mm Pistole 645(p), which was for some reason often rendered as P 35(p) (the suffix "p" means "polnisch") [8] (the German pistols of the first series had inscriptions VIS Mod.35 and P.35(p) on the left side [9]).
Pages in category "Semi-automatic pistols of Poland" The following 7 pages are in this category, out of 7 total. This list may not reflect recent changes. F.
In 1993, they started work on the new pistol, at the Łucznik Arms Factory in Radom, Poland. It was intended primarily for the Polish Army, to replace both the obsolete P-64 and the P-83 Wanad pistols. The obvious caliber choice was the more powerful, NATO standard 9×19mm Parabellum (9mm Luger), to replace the old 9×18mm Makarov. Since the ...
Vanadium) is a single-action and double-action Polish semi-automatic pistol, chambered for the 9×18mm Makarov cartridge and designed by Ryszard Chełmicki and Marian Gryszkiewicz of the state research institute Ośrodek Badawczo-Rozwojowy in Radom. The P-83 succeeded the P-64 as the sidearm for the Polish Army and police. The P-83 is no longer ...
I recently asked a friend how many firearms in his extensive collection were 100% American-made. "Three," he replied. That seems like very few considering that, as of 2023, around 393 million ...
The PM-63 RAK (often incorrectly referred to as Ręczny Automat Komandosów—"commandos' hand-held automatic"; the name itself means cancer or crayfish in Polish) is a Polish 9×18mm submachine gun, designed by Piotr Wilniewczyc in cooperation with Tadeusz Bednarski, Grzegorz Czubak and Marian Wakalski. [1]
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