Search results
Results from the WOW.Com Content Network
Rupert Gregson-Williams is a British composer, conductor, and record producer, best known for his film, video game, and television scores.His filmography includes Hotel Rwanda, for which he was awarded the European Film composer award, Hacksaw Ridge, Wonder Woman, Aquaman and its sequel, Over the Hedge, Bee Movie, Abominable, Back to the Outback, Made of Honor, The Holiday, The Legend of ...
It should only contain pages that are Rupert Gregson-Williams albums or lists of Rupert Gregson-Williams albums, as well as subcategories containing those things (themselves set categories). Topics about Rupert Gregson-Williams albums in general should be placed in relevant topic categories .
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
From the opening frames of HBO’s series “The Gilded Age,” the music of composers Harry Gregson-Williams and Rupert Gregson-Williams gives viewers a sense of the ambition and drive of “new ...
Hacksaw Ridge (Original Motion Picture Soundtrack) is the score album to the 2016 biographical war film Hacksaw Ridge directed by Mel Gibson. The film is scored by Rupert Gregson-Williams, who replaced John Debney, the original composer who had attached to write music for the film. The score was recorded at the Abbey Road Studios, London during ...
The music is composed and arranged by Rupert Gregson-Williams. It was released on June 2, 2017, by WaterTower Music. Rupert Gregson-Williams was hired to compose the film's music in November 2016. [1] [2] He is joined by Evan Jolly, Tom Howe, [3] Paul Mounsey, [4] and Andrew Kawczynski [5] who provide additional music.
Wonder Woman 1984 director Patty Jenkins has shed some light on why the original film’s composer, Rupert Gregson-Williams, was replaced by Hans Zimmer for the sequel.
Music critic Jonathan Broxton gave a mixed review for the soundtrack, saying "There’s nothing greatly wrong with The Legend of Tarzan in the bigger scheme of things; it’s functional, inoffensive, culturally respectful, and goes out of its way to mirror the current board-approved action music sound, which won’t upset any of the film’s key target demographics. "[6]