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Literary fiction is a term that distinguishes certain fictional works that possess commonly held qualities to readers outside genre fiction. [citation needed] Literary fiction is any fiction that attempts to engage with one or more truths or questions, hence relevant to a broad scope of humanity as a form of expression.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Provide summary/ synopsis A further option for both readers and writers is to structure the writing so it can be skimmed effectively. This means writing the first sentence of each paragraph as a summary of the paragraph, so the reader can quickly know which paragraphs or sections are of interest to read for more detail, in addition to the usual ...
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
Other science fiction authors and fans claim "that slipstream is a term that lumps together metafiction, magical realism, surrealism, experimental fiction[,] counter-realism", and postmodern writing, and/or applies to a story with themes coming from one or more of these literary influences. [1]
An oxymoron is a figure of speech in which a pair of opposite or contradictory terms is used together for emphasis. [27] Examples: Organized chaos, Same difference, Bittersweet. A paradox is a statement or proposition which is self-contradictory, unreasonable, or illogical. [28] Example: This statement is a lie.
For a text to be considered creative nonfiction, it must be factually accurate, and written with attention to literary style and technique. Lee Gutkind, founder of the magazine Creative Nonfiction, writes, "Ultimately, the primary goal of the creative nonfiction writer is to communicate information, just like a reporter, but to shape it in a way that reads like fiction."
In addition to the above definition, Aarseth explained ergodic literature as two-fold: a normal text and a machine capable of producing several manifestations of a text. [3] One of the major innovations of the concept of ergodic literature is that it is not medium-specific so long as the medium has the ability to produce an iteration of the text.