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The Cellini spiral is a variation on the Peyote stitch that uses beads of increasing size to create a textured surface. It was originated by seed bead masters Virginia Blakelock and Carol Perenoud who developed the tubular variation and named it after Benvenuto Cellini, a 16th-century Italian sculptor known for his Rococo architectural columns. [2]
Bead stringing is the putting of beads on string. A pair of beaded necklaces. It can range from simply sliding a single bead onto any thread-like medium (string, silk thread, leather thong, thin wire, multi-stranded beading wire, or a soft, flexible wire) to complex creations that have multiple strands or interwoven levels. The choice of ...
Beadwork is the art or craft of attaching beads to one another by stringing them onto a thread or thin wire with a sewing or beading needle or sewing them to cloth. [1] Beads are produced in a diverse range of materials, shapes, and sizes, and vary by the kind of art produced.
The higher the jar containing the chain is placed above the ground, the higher the chain will rise above the jar during the "siphoning" phase. As demonstrated in an experiment, when the jar is placed 30 metres (98 ft) above the ground and the chain is sufficiently long, the arc of the chain fountain can reach a height of about 2.1 m (6 ft 11 in ...
A selection of glass beads Merovingian bead Trade beads, 18th century Trade beads, 18th century. A bead is a small, decorative object that is formed in a variety of shapes and sizes of a material such as stone, bone, shell, glass, plastic, wood, or pearl and with a small hole for threading or stringing. Beads range in size from under 1 ...
Many examples have distinct finishes in the glaze, which are much prized by collectors. The main three types of glaze patterns are: "hare's fur" (兔毫盞) "tortoiseshell" (鼈甲盞) "partridge feathers" (雪鷓鴣盞) At high temperatures the molten glaze separates to produce the pattern called "hare's fur".
Maiolica charger from Faenza, after which faience is named, c. 1555; diameter 43 cm, tin-glazed earthenware Tin-glazed (majolica/maiolica) plate from Faenza, Italy. Tin-glazed pottery is earthenware covered in lead glaze with added tin oxide [1] which is white, shiny and opaque (see tin-glazing for the chemistry); usually this provides a background for brightly painted decoration.
Decoration by underglaze painted patterns had long been a feature of Chinese pottery, especially in the popular Cizhou ware (mostly using black over slip), but was perhaps regarded as rather vulgar by the court and the literati class, and the finest ceramics were monochrome, using an understated aesthetic with perfect shapes and subtle glaze ...