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BWV 852 – Prelude and Fugue in E-flat major; BWV 853 – Prelude and Fugue in E-flat minor (The fugue of this work is in D-sharp minor, the enharmonic key of E-flat minor) BWV 854 – Prelude and Fugue in E major; BWV 855 – Prelude and Fugue in E minor BWV 855a – Prelude in E minor (early version of the prelude of BWV 855), and Fughetta [15]
Leopold Stokowski made a large number of transcriptions for full orchestra, including the Toccata and Fugue in D minor for organ, which appeared in the film Fantasia and the Little Fugue in G minor. Alexander Siloti made many piano transcriptions of Bach, most famously his Prelude in B minor based on Bach's Prelude in E minor, BWV 855a.
Concerto in E minor (last movt, Presto) Verdi Falstaff (final fugue from Act 3, All the world's a prank) 5 Aug 2000 Leo Schofield: Amanda McBroom: Ship in a Bottle Bruckner Symphony No 7, Adagio (recapitulation only) Debussy Dialogue du vent et de la mer (finale from La mer) Mozart Come scoglio (from Cosí fan tutte Act 1, Scene 3) Arthur Sullivan
Falstaff (Italian pronunciation:) is a comic opera in three acts by the Italian composer Giuseppe Verdi. The Italian-language libretto was adapted by Arrigo Boito from the play The Merry Wives of Windsor and scenes from Henry IV, Part 1 and Part 2 , by William Shakespeare .
Belder, Pieter-Jan (2021-02-14), Belder on Bach WTC I Prelude and fugue no. 7 in E-flat major BWV 852 | Netherlands Bach Society, Netherlands Bach Society – via YouTube {}: CS1 maint: date and year ; Ledbetter, David (2002). Bach's Well-tempered Clavier: The 48 Preludes and Fugues. Yale University Press. ISBN 978-0-300-09707-8.
The beginning of the BWV 548 Prelude, in the hand of J.S. Bach. Prelude and Fugue in E minor, BWV 548 is a piece of organ music written by Johann Sebastian Bach sometime between 1727 and 1736, [1] during his time in Leipzig. The work is sometimes called "The Wedge" due to the chromatic outward motion of the fugue theme. [1]
The subject of the fugue is composed of three separate motifs, all of which can be found in canzonas and ricercars. The 19th-century Bach scholar Philipp Spitta praised the fugue, particularly its modulations. Williams has suggested that "perhaps the imaginative penultimate bar was inspired by J. S. Bach". [8] [3] Prelude and Fugue in A minor ...
Four months after the meeting, Bach published a set of pieces based on this theme which we now know as The Musical Offering. [6] Bach inscribed the piece "Regis Iussu Cantio Et Reliqua Canonica Arte Resoluta" (the theme given by the king, with additions, resolved in the canonic style), the first letters of which spell out the word ricercar, a well-known genre of the time.