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Ethereal aesthetics, closely related to the artwork of Nigel Grierson (4AD) In March 1986, journalist Sue Cummings of SPIN described the music as an "introspective reaction to the macho aggression of rock 'n' roll" and noticed "all those big black haircuts leaving [after] the Cocteau Twins' concert this past fall."
Shoegaze (originally called shoegazing and sometimes conflated with "dream pop") [12] is a subgenre of indie and alternative rock characterized by its ethereal mixture of obscured vocals, guitar distortion and effects, feedback, and overwhelming volume.
In particular, cloud rap often utilizes looped samples from female singers, and often from those whose voices have an ethereal quality. [9] Often, cloud rap is released independently of record labels, and cloud rap artists rely on internet services (such as SoundCloud, YouTube, and Twitter) to distribute and promote their music. [10]
Tessa Thompson's red-carpet game is unmatched. While attending the season four premiere of Westworld, the actress aced the series's futuristic aesthetic by wearing an iridescent nude gown from ...
The aesthetic of “1989” celebrated youth and the freedom that comes with growing up — but also a sadness, too. She seems to long for what’s already passed her by, ...
The argument from beauty (also the aesthetic argument) is an argument for the existence of a realm of immaterial ideas or, most commonly, for the existence of God, that roughly states that the evident beauty in nature, art and music and even in more abstract areas like the elegance of the laws of physics or the elegant laws of mathematics is evidence of a creator deity who has arranged these ...
Dadirri is a form of aesthetics that involves appreciating the beauty and significance of nature and spirituality through being silent and receptive. It includes appreciating the natural patterns, colors, sounds, and shapes that surround us. This aesthetic dimension involves seeing beauty in the simple and everyday.
Aesthetic art, by contrast to science, constitutes an experience. A poem operates in the dimension of direct experience, not of description or propositional logic. The expressiveness of a painting is the painting itself. The meaning is there beyond the painter's private experience or that of the viewer.