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The Master of Animals, Lord of Animals, or Mistress of the Animals is a motif in ancient art showing a human between and grasping two confronted animals. [1] The motif is very widespread in the art of the Ancient Near East and Egypt. The figure may be female or male, it may be a column or a symbol, the animals may be realistic or fantastical ...
Luristan bronze objects came to the notice of the world art market from the late 1920s and were excavated in considerable quantities by local people, "wild tribesmen who did not encourage the competition of qualified excavators", [10] and taken through networks of dealers, latterly illegally, to Europe or America, without information about the contexts in which they were found. [11]
The reverse of the handle shows a Master of Animals motif: two confronted lions, flanking a central figure (note confronted dogs and other animals below) Confronted animals , or confronted-animal as an adjective , where two animals face each other in a symmetrical pose, is an ancient bilateral motif in art and artifacts studied in archaeology ...
The designs that were emulated by Egyptian artists are numerous: the Uruk "priest-king" with his tunique and brimmed hat in the posture of the Master of animals, the serpopards or sepo-felines, winged griffins, snakes around rosettes, boats with high prows, all characteristic of Mesopotamian art of the Late Uruk (Uruk IV, c. 3350–3200 BC) period.
The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.
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Figurative: Master of Animals, confronted animals, velificatio, Death and the Maiden, Three hares, Sheela na gig, puer mingens. In the Nativity of Jesus in art, the detail of showing Saint Joseph as asleep, which was common in medieval depictions, can be regarded as a "motif".