Search results
Results from the WOW.Com Content Network
After that, many users began to upload spin-offs (such as the play version, dance version) of the original video. Some of the lyrics from the original songs were improvised or mondegreen were used instead. Users sometime compile multiple user versions of the medley to form a 'chorus' video.
"Sun King" is a song by the English rock band the Beatles from their 1969 album Abbey Road. Written by John Lennon and credited to Lennon–McCartney , it is the second song of the album's climactic medley .
"Medley: Aquarius/Let the Sunshine In (The Flesh Failures)" (commonly called "Aquarius/Let the Sunshine In", "The Age of Aquarius" or "Let the Sunshine In") is a medley of two songs written for the 1967 musical Hair by James Rado and Gerome Ragni (lyrics), and Galt MacDermot (music), released as a single by American R&B group the 5th Dimension.
In music, a medley is a piece composed from parts of existing pieces played one after another, sometimes overlapping. They are common in popular music, and most medleys are songs rather than instrumentals. A medley which is a remixed series is called a megamix, often done with tracks for a single artist, or for popular songs from a given year ...
"An American Trilogy" is a 1972 song medley arranged by country composer Mickey Newbury and popularized by Elvis Presley, who included it as a showstopper in his concert routines. The medley uses three 19th-century songs: "Dixie" — a popular folk song about the southern United States.
The medley primarily consists of alternative rock songs, with the title being a reference to the genre. The following songs are contained in the medley: "Loser" by Beck "Sex Type Thing" by Stone Temple Pilots "All I Wanna Do" by Sheryl Crow "Closer" by Nine Inch Nails "Bang and Blame" by R.E.M. "You Oughta Know" by Alanis Morissette
"Golden Slumbers" is a song by the English rock band the Beatles from their 1969 album Abbey Road. Written by Paul McCartney and credited to Lennon–McCartney, [2] [3] it is the sixth song of the album's climactic B-side medley. The song is followed by "Carry That Weight" and begins the
To give emotional depth to the song, Warnes had a video playback machine and footage of the final scene brought in to synchronize her singing with the movie's ending scene, particularly "the lift". After completing the main vocals, Medley and Warnes were asked by Lloyd to add additional harmonies and flourishes for the song. [7]