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Christ Triumphant over Sin and Death, also known as Christ Triumphant over Death and Sin, or sometimes as Salvator Mundi, is a circa 1618 oil painting by the Flemish Baroque artist Peter Paul Rubens. It is on display in the Musée des Beaux-Arts of Strasbourg, France. Its inventory number is 235. [2]
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
A 'Jesus Saves' neon cross sign outside of a Protestant church in New York City Salvation in Christianity, or deliverance or redemption, is the "saving [of] human beings from death and separation from God" by Christ's death and resurrection.
Jesus The Christ Pantocrator of Saint Catherine's Monastery at Mount Sinai, 6th century AD Born c. 6 to 4 BC [a] Herodian kingdom, Roman Empire Died AD 30 or 33 (aged 33 or 38) Jerusalem, Judaea, Roman Empire Cause of death Crucifixion [b] Known for Central figure of Christianity Major prophet in Islam and in Druze Faith Manifestation of God in Baháʼí Faith Parent(s) Mary, Joseph [c] Jesus ...
Jesus has cut his hand on an exposed nail, symbolizing the stigmata and foreshadowing Jesus's crucifixion. Some of the blood has fallen onto his foot. As Jesus's grandmother, Anne, removes the nail with a pair of pincers, his concerned mother, Mary, offers her cheek for a kiss. Joseph examines Jesus's wounded hand.
The image of the Divine Mercy is a depiction of Jesus Christ that is based on the Divine Mercy devotion initiated by Faustina Kowalska. According to Kowalska's diary, Jesus told her "I promise that the soul that will venerate this image will not perish. I also promise victory over enemies already here on earth, especially at the hour of death.
The first Christians also recognized Jesus' redemptive role to be unique (without parallel), complete (as one who conveys the fullness of salvation), and definitive (beyond any possibility of being equaled, let alone surpassed, in his salvific function).
In the Catacombs of Rome, artists just hinted at the Resurrection by using images from the Old Testament such as the fiery furnace and Daniel in the Lion's Den. The period between the year 250 AD and the liberating Edict of Milan in 313 AD saw violent persecutions of Christians under Decius and Diocletian. The most numerous surviving examples ...
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