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[14] Aaron McKrell of HipHopDX wrote, "Us or Else: Letter to the System equates in not only one of the year's strongest full-length projects but in Tip's discography as well. It's a suitable blend of his personal views to package aware commentary of our turbulent times in the United States in 2016."
The two songs were "Hip Hop" (also featuring KRS-One and Tre Hardson) and "Strange Enough" (also featuring Karen O and Ol' Dirty Bastard.) Other artists who appeared on the album included Method Man, E-40, Chali 2na, and David Byrne, among others. 2016 saw Fatlip collaborate with Edo G on a song called "Playtimee Over", produced by Tone Spliff.
The first song released by Peter Anthony Red was an acoustic version of "Water", a track which will be released on the full length album. Peter Anthony Red's first official effort, a 5-track EP The Projectionist , was released for free on Bandcamp on June 26, 2012.
The group's second full-length studio album, Niggaz4Life, was released the next year. [23] Selling 955,000 copies in the 1st week and was certified as Platinum, [24] it became the first rap album to enter #1 on the Billboard charts. [25] This album would become the group's final, as Dr. Dre left the group over financial disputes with Jerry Heller.
Whereas the EP's track "Sa Prize, Pt. 2" is a sequel to "Fuck tha Police"—the most controversial track on N.W.A's official debut album, Straight Outta Compton [a] —"100 Miles and Runnin' ", rather, became N.W.A's first single to see national radio play, and its music video see national television airtime.
Briggs' debut full-length album The Blacklist was released in 2010 on Golden Era [14] [15] and included the single "The Wrong Brother" that was inspired by an incident in which Briggs was stopped from entering a Shepparton pub by security officers, only to be told, "Sorry mate, we got the wrong brother."
Eric B., KRS-One, L. A. Reid, Babyface and Teddy Riley also joined him onstage, with the latter performing a keyboard solo. Peter Watrous of The New York Times commented that, "The communal scene on stage mirrored the feeling in the audience; everybody seemed aware that this was a generation that had rewritten the rules of pop entertainment ...