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A simile (/ ˈ s ɪ m əl i /) is a type of figure of speech that directly compares two things. [1] [2] Similes are often contrasted with metaphors, where similes necessarily compare two things using words such as "like", "as", while metaphors often create an implicit comparison (i.e. saying something "is" something else). However, there are ...
It began in the late 16th century and lasted through the 17th century, also the period of the Spanish Golden Age. Francisco de Quevedo y Villegas, the most significant representative of Baroque conceptismo Baltasar Gracián. Conceptismo is characterized by a rapid rhythm, directness, simple vocabulary, witty metaphors, and wordplay. In this ...
A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. [1] It may provide (or obscure) clarity or identify hidden similarities between two different ideas. Metaphors are usually meant to create a likeness or an analogy. [2]
Metaphor: a rhetorical figure of speech marked by implicit comparison, rather than direct or explicit comparison like in a simile. In a metaphor, the tenor is the subject to which attributes are ascribed (i.e., the target); the vehicle is the subject from which the attributes are derived/borrowed (i.e., the source); and ground is the shared ...
A metaphor is a figure of speech that describes a subject by asserting that it is, on some point of comparison, the same as another otherwise unrelated object. Metaphor is a type of analogy and is closely related to other rhetorical figures of speech that achieve their effects via association, comparison or resemblance including allegory, hyperbole, and simile.
The couple metaphor-metonymy had a prominent role in the renewal of the field of rhetoric in the 1960s. In his 1956 essay, "The Metaphoric and Metonymic Poles", Roman Jakobson describes the couple as representing the possibilities of linguistic selection (metaphor) and combination (metonymy); Jakobson's work became important for such French ...
According to Jülicher, a parable or similitude (extended simile or metaphor) has three parts: a picture part (Bildhälfte), a reality part (Sachhälfte), and the point of comparison (tertium comparationis) between the picture part and the reality part. "The kingdom of heaven is like treasure hidden in a field, which someone found and hid; then ...
In the Western philosophical tradition, Aristotle is often situated as the first commentator on the nature of metaphor, writing in the Poetics, "A 'metaphorical term' involves the transferred use of a term that properly belongs to something else," [8] and elsewhere in the Rhetoric he says that metaphors make learning pleasant; "To learn easily is naturally pleasant to all people, and words ...