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The ribbons' edges are sewn with needles and cotton thread [3] – later, with nylon thread. Designs and colors may be significant to particular clans. Specific patterns are passed from mother to daughters within families. [3] Design elements can include floral designs, diamonds, stepped diamonds, crescents, hearts, circles, and double-curves.
If vertical stitches are stepped down quickly, the design forms sharp points or zig-zags. This type of Bargello motif is often known as flame stitch. Flame stitch can be found on the Bargello Museum chairs. If steps are gradual, then the design will appear to be curved. Traditional curved Bargello motifs include medallions and ribbons.
This simple design, with a unilateral spring, looks remarkably like a modern safety pin. The violin bow fibula has a low flat arch; the body runs parallel to the pin so it resembles a violin bow. The bow could be round, square, or flat and ribbon-like in cross-section. Some had simple punched or incised decoration on the bow.
This formal style then gave way to more relaxed fashions. The robe à la française or sack-back gown had a tight bodice with a low-cut square neckline, a decorated [stomacher], wide panniers, and was lavishly trimmed with all manner of lace, ribbon, and flowers. An early form of the robe à la française was worn as a less formal undress fashion.
The decorative motifs of Louis XVI style were inspired by antiquity, the Louis XIV style, and nature.Characteristic elements of the style: a torch crossed with a sheath with arrows, imbricated disks, guilloché, double bow-knots, smoking braziers, linear repetitions of small motifs (rosettes, beads, oves), trophy or floral medallions hanging from a knotted ribbon, acanthus leaves, gadrooning ...
Interlace is a key feature of the "Style II" animal style decoration of Migration Period art, and is found widely across Northern Europe, and was carried by the Lombards into Northern Italy. Typically the long "ribbons" eventually terminate in an animal's head.