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The design of the Evangelion was conceived and edited by Anno and Ikuto Yamashita, the official mecha designer of the series. [25] The director took inspiration from the demons of Japanese folklore, the oni, and wanted to give them a modern look that differed from other mecha, such as the Gundams of the Mobile Suit Gundam series, giving them a more human-demonic nature than strictly robotic.
Yoshinari took care of the battle scene, [28] trying to draw the shoulders and face of the Eva-01 using rulers. [29] The staff also made extensive use of close-ups during the episode. [30] During the battle, before Eva-01 berserk mode, the crew zoomed in on Shinji's face in close-up giving the idea of wide-angle lens, and deforming it with CG. [31]
Unable to retaliate, they flee into the school. Shinji is reading and Eva-01 is picking his non-existent nose. The two children run into the room, asking Eva-01 to beat up Zeruel for them. Eva-01 agrees, and asks Shinji to accompany him. The two go out to search for Zeruel, but Eva-01 shortly leaves Shinji to fight Zeruel for him.
The code is a tribute to a similar scene from The Andromeda Strain (1971), based on the novel of the same name by Michael Crichton. [ 55 ] [ 56 ] Evangelion assistant director Kazuya Tsurumaki pointed out the "distant, awkward communication" between Shinji and Rei on one hand, and Shinji and his father on the other in the first episodes ...
Despite this, by the 18th episode, the series had become enough of a sensation that Eva-01's violent rampage "[was] criticized as being unsuitable on an anime show that is viewed by children", and the 20th episode would be similarly criticized for the offscreen depiction of characters Misato and Kaji having sex. [4]
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During the making of Neon Genesis Evangelion, the production staff decided to set the work on a battle between gods and humans. [6] [7] In one early draft, which was published about two years before airing, Gainax included enemies named Apostolos (アポストロ, aposutoro), which they conceived as ancient relics scattered all over the globe and left in hibernation by a species called "First ...
In the first scene of "Ambivalence", during the flight of the Eva-03, English-speaking Nerv operators call the control towers Ekta 64 and Neopan 400; the names refer to the photographic-film brand names Ektachrome [61] and Fuji Neopan. [62] [63] [64] Eva-03 then lands at Matsushiro, Nagano, [65] where Nerv's second