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The Battle of Chamkaur, also known as Battle of Chamkaur Sahib or the Second battle of Chamkaur, was fought between the Khalsa, led by Guru Gobind Singh, and the coalition forces of the Mughals led by Wazir Khan and Hindu hill chiefs. Guru Gobind Singh makes a reference to this battle in his letter Zafarnama.
The original building of "Gurudwara Thanda Burj", where a Sikh Gurudwara was built over the original structure before it was completely destroyed and rebuilt in the 1900s Painting of Mata Gujri, Sahibzada Zorawar Singh, and Sahibzada Fateh Singh, after the Anandpur battle, reach Sirhind, where the princes, Zorawar Singh and Fateh Singh, were executed by immurement, circa 19th century
Situated on the banks of the Sirhind Canal, Chamkaur sahib is at a distance of 15 km from Morinda and 16 km from Rupnagar. Guru Gobind Singh and his two elder sons and 40 followers had come to this place from Kotla Nihang Khan with his Mughal pursuers close on his heels.
Guru Gobind Singh Marg is the historical route taken by the tenth guru of Sikhs Guru Gobind Singh from Anandpur Sahib to Talwandi Sabo in the year 1705. Sikh people contemplate this marg as pious and holy as their guru passed through it. [1]
The First battle of Chamkaur was fought in 1702 between the Sikhs and the Mughals. It resulted in a Sikh victory and the Mughal General Sayyad Beg defecting to the Sikhs with some troops. It resulted in a Sikh victory and the Mughal General Sayyad Beg defecting to the Sikhs with some troops.
Bibi Sharan Kaur’s husband Bhai Pritam Singh, who was a Khalsa warrior, was with Guru Gobind Singh ji, inside the Chamkaur fort resisting the Moghul attack/onslaught. She discovered her husband among the dead. In total she is said to have collected bodies of thirty-two Khalsa soldiers, including the two elder Sahibzadas. She tried to cremate ...
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Most hymns contained within the Guru Granth Sahib are in the Pade form, which was a popular form within the prevailing Indian music between the 16th and 17th centuries. [1] During the time period when Sikh hymns were composed, the dhrupad form was popular in northern Indian mandirs whilst the kritī form dominated in south Indian mandirs. [ 1 ]