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Thanh Tùng (15 September 1948 – 15 March 2016) was a Vietnamese pop music composer and songwriter. He was born in Nha Trang , Khánh Hòa , but moved to Hanoi at age 6. Thanh Tùng graduated from the Pyongyang Conservatory in 1971 and worked for Voice of Vietnam from 1971 to 1975.
With songs like "Giã Từ Dĩ Vãng" (Farewell to the past), "Trống Vắng" (Emptiness), "Tình Cờ" (Unexpected), "Xin Làm Người Hát Rong", one of Phuong Thanh's more emotional ballads, "Còn Mãi Mùa Đông" (Everlasting Winter) and "Khi Giấc Mơ Về" (When dreams come) started airing on Vietnamese radio, listeners started to ...
Trấn Thành is considered a multi-talented artist in many fields; he has worked as a comedian, actor, director, MC, screenwriter, etc. [5] He became a popular television host in many games shows on TV, such as Ơn giời cậu đây rồi!, Đấu trường tiếu lâm, Ai cũng bật cười, Người bí ẩn, Nhanh như chớp nhí & Rap Việt, etc.
Vietnam, [e] [f] officially the Socialist Republic of Vietnam, [g] [h] is a country at the eastern edge of mainland Southeast Asia, with an area of about 331,000 square kilometres (128,000 sq mi) and a population of over 100 million, making it the world's fifteenth-most populous country.
Nguyễn Thanh Tùng's family plays an important part in his performance and composition career. Thanh Tùng was born to Nguyen Thanh Son, a Vietnam War veteran and currently a photographer, and Pham Thi Duc Hoa, a tailor. In 1972, Mr.Son's squad was deployed in Quảng Trị and he got affected by Agent Orange ever since.
Phan Bội Châu (Vietnamese: [faːn ɓôjˀ cəw]; 26 December 1867 – 29 October 1940), born Phan Văn San, courtesy name Hải Thụ (later changed to Sào Nam), was a pioneer of 20th century Vietnamese nationalism.
Thái Thanh later gained her prestige in the record industry and pop culture in South Vietnam during the Vietnam War.She was famous for her performances of works by musicians including Đặng Thế Phong, Lê Thương, Văn Cao, Dương Thiệu Tước, Phạm Đình Chương, and especially Phạm Duy, her brother-in-law, with whom she had a long-lasting collaboration.
The preservation of Chữ Nôm practiced by the foundation involves different approaches, such as the electronic font carving, ideograms entered into Unicode and the International Standard (regulated by ISO), digitization for displaying Nôm on the Internet and the revival of ancient works in literature, history, culture, musics and the arts (e.g. the chamber music called ca trù).