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RCA Victor, LP: LM-6018 CD: 60299-2-RG: Live recording made on 27 January at Carnegie Hall, New York; Gramophone (April 1973) 1951: Orchestra and Chorus of La Scala, Milan, Victor de Sabata: Renata Tebaldi, Nell Rankin, Giacinto Prandelli, Nicola Rossi-Lemeni: Urania, CD: URN 22.189, Decca, CD: 481 1025
This is a discography of Giuseppe Verdi's penultimate opera, Otello.It was first performed at La Scala, Milan, on 5 February 1887.. Otello has been recorded complete on disc and film a number of times since World War II, but most music-guide reviewers contend that a recording made of a 1947 NBC radio broadcast of the opera conducted by Arturo Toscanini and featuring singers Herva Nelli, Ramón ...
In early 1928, after decades of recording in various locations, Victor acquired a property in Manhattan to build a recording studio. Originally built in 1907 as a seven-story stable, the building at 155 East 24th Street was previously home to Manhattan's leading supplier of coach, livery, and workhorses, supplying horses for the New York transit system, and later to the U.S. military for use ...
Most of Price's many commercial recordings were made by RCA Victor Red Seal and include three complete recordings of Verdi's Il trovatore (the final one for EMI), two of La forza del destino, two of Aida, two of Verdi's Requiem, two of Puccini's Tosca, and one each of Verdi's Ernani and Un ballo in maschera, Bizet's Carmen, Puccini's Madama ...
LP release as RCA Victor LM 6107, 1953. The 1947 recording of Verdi's Otello by Arturo Toscanini and the NBC Symphony Orchestra and chorus is regarded as one of the most notable early Verdi opera recordings. [1] The role of Otello was sung by Ramón Vinay, Desdemona by Herva Nelli, and Iago by Giuseppe Valdengo, and Cassio by tenor Virginio ...
Zinka Milanov (Croatian pronunciation: [zîːŋka milǎnoʋ]; May 17, 1906 – May 30, 1989) was a Croatian operatic dramatic soprano who had a major career centered on the Metropolitan Opera in New York City.
Leonard Maltin, in his Movie and Video Guide, called the film "nearly flawless". Vincent Canby in The New York Times, however, criticized Zeffirelli for some of his alterations to the opera's music. [4] In an interview in Opera News, the film's star, Plácido Domingo, expressed similar displeasure in the movie's musical cuts. He also complained ...
The Messa da Requiem is a musical setting of the Catholic funeral mass for four soloists, double choir and orchestra by Giuseppe Verdi. It was composed in memory of Alessandro Manzoni , whom Verdi admired, and therefore also referred to as the Manzoni Requiem .
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