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A clarinet concerto is a concerto for clarinet; that is, a musical composition for solo clarinet together with a large ensemble (such as an orchestra or concert band). Albert Rice has identified a work by Giuseppe Antonio Paganelli as possibly the earliest known concerto for solo clarinet; its score appears to be titled "Concerto per il Clareto ...
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Clarinet Quintet in B minor, Op. 115 Busch Quartet 1938, DB 8471-4 Brahms Clarinet Quintet in B minor, Op. 115 Fine Arts Quartet: 1951, DL 9532 Brahms Sonata for Clarinet and Piano in F minor, Op. 120 No.1 Joel Rosen, piano 1953, DL 9639 Brahms Sonata for Clarinet and Piano in E ♭ major, Op. 120 No.2 Joel Rosen, piano 1953, DL 9639 Brahms
The Concerto for Clarinet, Viola, and Orchestra in E minor, Op. 88, is a composition by Max Bruch which was composed in 1911. It premiered on 5 March 1912 in Wilhelmshaven by the piece's dedicatees, violist Willy Hess and the composer's son and clarinet soloist, Max Felix Bruch. [1]
The Clarinet Concerto ends with a fairly elaborate coda in C major that finishes off with a clarinet glissando – or "smear" in jazz lingo." The piece is written in a very unusual form. The two movements are played back-to-back, linked by a clarinet cadenza .
The Clarinet Concerto was one of the three items chosen for the gala concert in Copenhagen celebrating the 150th anniversary of Carl Nielsen's birth. Accompanied by Danmark Radio's Symphony Orchestra conducted by Juanjo Mena , the soloist was the Finnish clarinetist Olli Leppäniemi (born 1980).
Corigliano described the inspiration for the Clarinet Concerto in the score program notes, writing: My associations as a child – attending rehearsals and performances with my father, who was then the concertmaster of the [New York] Philharmonic – gave me the opportunity of getting to know many of the men in the orchestra both as artists and friends.
The concerto was written to be played on the basset clarinet, which can play lower notes than an ordinary clarinet, but after the death of Mozart it was published with changes to the solo part to allow performance on conventional instruments. The manuscript score is lost, but from the latter part of the 20th century onwards many performances of ...
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