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ad pondus omnium (ad pond om) to the weight of all things: i.e., "considering everything's weight". The abbreviation was historically used by physicians and others to signify that the last prescribed ingredient is to weigh as much as all of the previously mentioned ones. ad quod damnum: to whatever damage
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
In the Orthodox liturgy, Ad multos annos has a Byzantine equivalent of the first millennium which is an acclamation called Eis polla eti (Greek εἰς πολλὰ ἔτη): it is part of the Polychronion. [1] In Slavic Orthodoxy, especially Ukraine and Russia, Mnogaya leta has become a traditional celebratory song, akin to Happy birthday to you.
Definition Lacuna: gap: A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello: little return
voice of the people: The phrase denotes a brief interview of a common person that is not previously arranged, e. g., an interview on a street. It is sometimes truncated to "vox pop." vox populi, vox Dei: the voice of the people [is] the voice of God: vulpes pilum mutat, non mores: the fox changes his fur, not his habits
Tropes were a particular feature of the music and texts of the Sarum Use (the use of Salisbury, the standard liturgical use of England until the Reformation), although they occurred widely in the Latin church. Deus creator omnium, was widely used in the Sarum Use and is in the form of a troped Kyrie: [citation needed]
Accent can refer to any stressed or emphasized note, such as sforzando.It was used to indicate an ornament until the 18th century. In German Baroque music it occurs in J. S. Bach's ornament tables as a stressed appoggiatura, indicated by a half circle or "C" in front of a note.