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For example, the "one talent" that Milton mourns his inability to use is not necessarily his poetic ability; it might as easily be his ability to translate texts from foreign languages, the task for which he was responsible in the Commonwealth government. However, the references to light and darkness in the poem make it virtually certain that ...
This is a reference to the legend that when the Turks entered the church (Hagia Sophia) in 1453, the priests who were singing the Divine Liturgy took up the sacred vessels and disappeared into the wall of the church, where they will stay and only come out when the church is returned to Christendom (see Timothy Gregory, A History of Byzantium ...
Assonance is the repetition of identical or similar phonemes in words or syllables that occur close together, either in terms of their vowel phonemes (e.g., lean green meat) or their consonant phonemes (e.g., Kip keeps capes ). [1]
The poem begins with a moment of quiet introspection, which is reflected in the soft sounds of w's and th's, as well as double ll's. In the second stanza, harder sounds — like k and qu — begin to break the whisper. As the narrator's thought is disrupted by the horse in the third stanza, a hard g is used. [5]
The poem incorporates a complex reliance on assonance—the repetition of vowel sounds—in a conscious pattern, as found in many of his poems. Such a reliance on assonance is found in very few English poems. Within "Ode to a Nightingale", an example of this pattern can be found in line 35 ("Already with thee! tender is the night"), where the ...
The poem is a soliloquy given by an aviator in the First World War in which the narrator describes the circumstances surrounding his imminent death. The poem is a work that discusses the role of Irish soldiers fighting for the United Kingdom during a time when they were trying to establish independence for Ireland. Wishing to show restraint ...
The poem is written in the villanelle or villanesque form of poetry, which contains nineteen lines. These lines consist of five tercets and a quatrain at the end. Two lines of the opening tercet, the first and the third, are known as refrains and are repeated alternately throughout the poem as the final lines of the following tercets. In this ...
The poem discusses proper decorum in the wake of the death of a young woman, described as "the queenliest dead that ever died so young". The poem concludes: "No dirge shall I upraise,/ But waft the angel on her flight with a paean of old days!" Lenore's fiancé, Guy de Vere, finds it inappropriate to "mourn" the dead; rather, one should ...