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Devotees regard each of the Ashta Lakshmi to represent an attribute of Lakshmi, gaining the favour of the goddess with the chanting of each stanza of the prayer. The eight aspects of Lakshmi that are venerated by the mantra are: [4] [5] [6] Adi Lakshmi (lit. ' primeval Lakshmi ') Dhanya Lakshmi (lit. ' grain Lakshmi ') Dhairya Lakshmi (lit.
The elephants are symbolic of royalty and, in Hindu mythology, are also related with cloud and rain; they thus reinforce Shri-Lakshmi's stature as the goddess of abundance and fertility. [ 7 ] Later Hindu iconography often represents Shri-Lakshmi in the form of Gaja-Lakshmi , standing on a lotus, flanked by two elephants that are shown ...
The Lakshmi Tantra text includes information about Pancharatra philosophy, cosmogony and mantra sastra. The iconography for Lakshmi - Narayana and Vishnu ’s Vyūhas is also discussed. The book does not include information about ritualistic worship, temple architecture and worship.
Devi Mahatmya - Story of Mahishasura and the origin of goddess Mahalakshmi; The conquest of the Heavens by Shumba - Nishumbha and Birth of Devi Kaushiki; The story of King Suratha and a Vaishya who heard the Devi Mahatmyam from a sage, received the nine-syllable mantra from him and performed severe austerities and worshiped the Devi.
Dhanya Lakshmi (Grain Lakshmi) is the form of Lakshmi who represents the wealth of agriculture. [3] Dhanya Lakshmi is also the aspect of Lakshmi who provides resources to adherents for their sustenance and well-being. She is depicted as eight-armed, dressed in green garments, carrying two lotuses, a gada , paddy crop, sugarcane, and bananas.
The Sri Stuti is composed in the mandakranta metre of Sanskrit poetry. It is regarded to have been inspired by the identically titled work composed by the philosopher Yamunacharya.
Muthuswami Dikshita (IAST: Muttusvāmi Dīkṣita, 24 March 1775 – 21 October 1835) or Dikshitar was a South Indian poet and composer and is one of the musical trinity of Carnatic music.
Maṅgala Aṣṭaka is a form of Mantra which is sung at the marriage ceremony in Maharashtra. It always starts with the Aṣṭavināyaka Vandana, which is as follows: Svasti Śrī Gaṇanāyakam Gajāmukham Moreśvara Siddhidam Ballalam Murudum Vināyaka Maham Cintamanim Thevaram | Lenyadrim Girijātmājam Suvaradam