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Mary Shelley's Frankenstein; or, The Modern Prometheus (1818) has come to define Gothic fiction in the Romantic period. Frontispiece to 1831 edition shown. Gothic fiction, sometimes called Gothic horror (primarily in the 20th century), is a loose literary aesthetic of fear and haunting.
Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century, led by the concurrent development of Gothic architecture. It spread to all of Western Europe , and much of Northern , Southern and Central Europe , never quite effacing more classical styles in Italy.
Art horror or arthouse horror (sometimes called elevated horror) [1] [2] [3] is a sub-genre of both horror films and art-films. It explores and experiments with the artistic uses of horror. It explores and experiments with the artistic uses of horror.
Gothic art, a style of medieval art; Gothic architecture, an architectural style; Gothic fiction, a loose literary aesthetic of fear and haunting; Gothic rock, a style of rock music; Goth subculture, developed by fans of gothic rock
Gavin's 2008 book Hell Bound: New Gothic Art continued to theorize the existence of the movement. She has also referred to the style as "the art of fear". [3] The term is associated with work by Banks Violette, David Noonan and Gabríela Friðriksdóttir, in particular, as well as Christian Jankowski, Marnie Weber, Boo Saville, Terence Koh, and Matthew Stone. [3]
Southern Gothic particularly focuses on the South's history of slavery, racism, fear of the outside world, violence, a "fixation with the grotesque, and a tension between realistic and supernatural elements". [4] Similar to the elements of the Gothic castle, Southern Gothic depicts the decay of the plantation in the post-Civil War South. [4]
The great Gothic wave, which stretches from 1764 with Horace Walpole's The Castle of Otranto to around 1818-1820, features ghosts, castles and terrifying characters; Satanism and the supernatural are favorite subjects; for instance, Ann Radcliffe presents sensitive, persecuted young girls who evolve in a frightening universe where secret doors open onto visions of horror, themes even more ...
A New Companion to The Gothic ' s Heidi Kaye said "strong visuals, a focus on sexuality and an emphasis on audience response" characterize Gothic films like they did the literary works. [2] The Encyclopedia of the Gothic said the foundation of Gothic film was the combination of Gothic literature, stage melodrama, and German expressionism. [3]
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