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Kojak is an American action crime drama television series starring Telly Savalas as the title character, New York City Police Department Detective Lieutenant Theophilus "Theo" Kojak. Taking the time slot of the popular Cannon series, it aired on CBS from 1973 to 1978.
Kojak investigates a tycoon and a mobster (Jerry Orbach) in connection with a plot involving money, women and murder. Marcia Gay Harden is an eyewitness to a crime, and Amanda Plummer , Terry Kinney and James Remar also have guest roles.
Co-stars on the show included Savalas' younger brother George as Detective Stavros, a sensitive, wild-haired, quiet, comedic foil to Kojak's street-wise humor in an otherwise dark dramatic series, [34] Kevin Dobson as Kojak's trusted young partner, Det. Bobby Crocker, whose on-screen chemistry with Savalas was a success story of 1970s ...
Kojak is on a new case, the bodies of two young boys are found in the Harlem river. Their mother (Kate Nelligan) is the main obvious suspect, particularly with her scandalous past, but Kojak believes that she is innocent. Soon afterward the boys' father (Pat Hingle) kills himself.
Linda Evans and Peppard in TV's Banacek (1974) . George Peppard (/ p ə ˈ p ɑːr d /; October 1, 1928 – May 8, 1994) was an American actor.He secured a major role as struggling writer Paul Varjak when he starred alongside Audrey Hepburn in Breakfast at Tiffany's (1961), and later portrayed a character based on Howard Hughes in The Carpetbaggers (1964).
A mysterious "Man in White" is out to kill famous detectives in bizarre ways, and the heroes are obvious parodies of Kojak, Baretta, Starsky and Hutch, Ironside, Police Woman, Columbo, Mrs. Columbo, and McCloud. [1] The movie starts with the Man In White killing Lambretta, after which Lt. Nojack calls a meeting of all the best detectives in the ...
Nonlinear narrative, disjointed narrative, or disrupted narrative is a narrative technique where events are portrayed, for example, out of chronological order or in other ways where the narrative does not follow the direct causality pattern of the events featured, such as parallel distinctive plot lines, dream immersions or narrating another story inside the main plot-line.
Dark Sunday (French: Sombre dimanche) is a 1948 French drama film directed by Jacqueline Audry and starring Michèle Alfa, Paul Bernard and Marcelle Derrien. [1] The film takes its name from the French title of the song "Gloomy Sunday". The film's sets were designed by the art director Raymond Druart.