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Robert Morris, Observatorium, Netherlands. The growth of environmental art as a "movement" began in the late 1960s and early 1970s. In its early phases it was most associated with sculpture—especially Site-specific art, Land art and Arte povera—having arisen out of mounting criticism of traditional sculptural forms and practices that were increasingly seen as outmoded and potentially out ...
Ecocentrism (/ ˌ ɛ k oʊ ˈ s ɛ n t r ɪ z əm /; from Greek: οἶκος oikos, 'house' and κέντρον kentron, 'center') is a term used by environmental philosophers and ecologists to denote a nature-centered, as opposed to human-centered (i.e., anthropocentric), system of values.
The environmental humanities (also ecological humanities) is an interdisciplinary area of research, drawing on the many environmental sub-disciplines that have emerged in the humanities over the past several decades, in particular environmental literature, environmental philosophy, environmental history, science and technology studies, environmental anthropology, [1] and environmental ...
Environmental anthropology is a sub-discipline of anthropology that examines the complex relationships between humans and the environments which they inhabit. [1] This takes many shapes and forms, whether it be examining the hunting/gathering patterns of humans tens of thousands of years ago, archaeological investigations of early agriculturalists and their impact on deforestation or soil ...
Modern issues within environmental philosophy include but are not restricted to the concerns of environmental activism, questions raised by science and technology, environmental justice, and climate change. These include issues related to the depletion of finite resources and other harmful and permanent effects brought on to the environment by ...
Ecological art is an art genre and artistic practice that seeks to preserve, remediate and/or vitalize the life forms, resources and ecology of Earth. Ecological art practitioners do this by applying the principles of ecosystems to living species and their habitats throughout the lithosphere, atmosphere, biosphere, and hydrosphere, including wilderness, rural, suburban and urban locations.
Ecological anthropologist, Conrad Kottak published arguing [clarification needed] there is an original older 'functionalist', apolitical style ecological anthropology and, as of the time of writing in 1999, a 'new ecological anthropology' was emerging and being recommended consisting of a more complex intersecting global, national, regional and ...
The nature–culture divide is the notion of a dichotomy between humans and the environment. [1] It is a theoretical foundation of contemporary anthropology that considers whether nature and culture function separately from one another, or if they are in a continuous biotic relationship with each other.