Search results
Results from the WOW.Com Content Network
In poetry, a dropped line is a line which is broken into two lines, but where the second part is indented to the horizontal position it would have had as an unbroken line. For example, in the poem "The Other Side of the River" by Charles Wright , the first and second lines form a dropped line, as do the fourth and fifth lines: [ 1 ]
Rondel (or roundel): a poem of 11 to 14 lines consisting of 2 rhymes and the repetition of the first 2 lines in the middle of the poem and at its end. Sonnet: a poem of 14 lines using any of a number of formal rhyme schemes; in English, they typically have 10 syllables per line. Caudate sonnet; Crown of sonnets (aka sonnet redoublé) Curtal sonnet
Sonnet 83 is an English or Shakespearean sonnet, which has three quatrains, followed by a final rhyming couplet.It follows the rhyme scheme ABBA ABBA CDCD EE and is composed in iambic pentameter, a metre of five feet per line, with two syllables in each foot accented weak/strong.
A line break is the termination of the line of a poem and the beginning of a new line. The process of arranging words using lines and line breaks is known as lineation, and is one of the defining features of poetry. [2] A distinct numbered group of lines in verse is normally called a stanza. A title, in certain poems, is considered a line.
This line includes a masculine caesura after θεὰ, a natural break that separates the line into two logical parts. Homeric lines more commonly employ feminine caesurae; this preference is observed to an even higher degree among the Alexandrian poets. [3] An example of a feminine caesura is the opening line of the Odyssey:
Poems often arrange their lines in patterns of masculine and feminine endings, for instance in "A Psalm of Life", cited above, every couplet consists of a feminine ending followed by a masculine one. This is the pattern followed by the hymns that are classified as "87.87" in standard nomenclature (for this system see Meter (hymn) ); an example ...
A cretic (/ ˈ k r iː t ɪ k /; also Cretic, amphimacer / æ m ˈ f ɪ m ə s ər / and sometimes paeon diagyios) [1] is a metrical foot containing three syllables: long, short, long (– ᴗ –). In Greek poetry, lines made entirely of cretic feet are less common than other metres. An example is Alcman 58. [2]
The alexandrine was not their only metrical target; they also cultivated the use of vers impair — lines with an odd, rather than even, number of syllables. [23] These uneven lines, though known from earlier French verse, were relatively uncommon and helped suggest a new rhythmic register. Vers libre