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Macbeth was a favourite of the seventeenth-century diarist Samuel Pepys, who saw the play on 5 November 1664 ("admirably acted"), 28 December 1666 ("most excellently acted"), ten days later on 7 January 1667 ("though I saw it lately, yet [it] appears a most excellent play in all respects"), on 19 April 1667 ("one of the best plays for a stage ...
In it, three ancient figures are shown in close consultation, their heads together and their bodies unshown. Runciman's brother created another drawing of the witches called The Witches show Macbeth The Apparitions painted circa 1771–1772, portraying Macbeth's reaction to the power of the witches' conjured vision. Both brothers' work ...
Lord Macbeth, the Thane of Glamis and quickly the Thane of Cawdor, is the title character and main protagonist in William Shakespeare's Macbeth (c. 1603–1607). The character is loosely based on the historical king Macbeth of Scotland and is derived largely from the account in Holinshed's Chronicles (1577), a compilation of British history.
This is an accepted version of this page This is the latest accepted revision, reviewed on 20 January 2025. Scottish king from 1040 to 1057 This article is about the historical Scottish king. For for the play by William Shakespeare, see Macbeth. For for the main character of that play, see Macbeth (character). Macbeth The name Mac Beathad Mac Fhindlaích in the Annals of Ulster King of Alba ...
Sophie Koch alternates with Helen Hutchison as Lady Macbeth in Haldane's production of Shakespeare's "Macbeth," a tale of ambition, murder and consequences. Performances are at 7 p.m., Dec. 6 and ...
In Orson Welles' 1948 film adaptation of Macbeth, the role of King Duncan is reduced. 1.2 is cut entirely as well as generous portions of 1.4. King Duncan is seen briefly in 1.6 as he enters Macbeth's castle amid considerable pomp. The top of 1.4 with its description of Cawdor's execution has been transplanted to this scene.
Macbeth and Banquo with the Witches by Henry Fuseli. Banquo is in a third of the play's scenes, as both a human and a ghost. As significant as he is to the plot, he has fewer lines than the relatively insignificant Ross, a Scottish nobleman who survives the play. [12]
Spurred on by the words of the three women he encounters, Macbeth is encouraged to attempt to usurp the kingdom by force. He is also spurred on by his wife, who is ambitious and desires the title of queen for herself. In Holinshed's Chronicles, Banquo is shown as a scheming character: he is an accomplice in Macbeth's murder of Duncan. In ...