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Suzuri-bako (硯箱; "inkstone box") are a type of Japanese writing box. The boxes are traditionally made of lacquered wood and are used to hold writing implements. [1] Historically, the boxes were associated with calligraphy, and as such they were made using high-quality materials designed to safeguard porcelain inkstones (suzuri) from damage. [2]
Mainly used for calligraphy. Coloured ink is oil soot ink that has been blended with pigments to create a solid ink of color. Most popular is cinnabar ink, which was reportedly used by Chinese emperors. An artist might commission a custom ink to suit their needs. Medical ink is produced by mixing standard ink with herbal medicines, and can be ...
Japanese calligraphy (書道, shodō), also called shūji (習字), is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only , but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles.
Bokuseki (墨跡) is a Japanese term meaning "ink trace", and refers to a form of Japanese calligraphy and more specifically a style of zenga developed by Zen monks. Bokuseki is often characterized by bold, assertive, and often abstract brush strokes meant to demonstrate the calligrapher's pure state of mind (see Samadhi ).
Yatate literally means "quiver".The name comes from the practice of early bushi who kept ink stones inside their quivers.. Japanese writing was traditionally done using the writing set inspired from China: an inking stone, a small stick of solid ink (which is turned to usable liquid ink by grinding on the inking stone and watering), and brushes.
These albums served as model books for calligraphy practice, the emulation of old styles, and as reference works for authentication in the growing antique market. [130] Today, the selection of calligraphers, and the type of calligraphies in a tekagami, show the changing tastes in classical Japanese-style calligraphy over the years. [127]
The work simultaneously flips the color scheme of ink-on-paper calligraphy, and calls to mind traditional Japanese screens executed on gold paper. Today, much of Morita's style and philosophy is maintained in the works of his student and Bokujinkai leader Sōsai Inada, who produces large-scale calligraphy works of a few characters with bold ...
This form of nature printing, where ink is applied to a fish which is then pressed onto paper, was used by fishermen to record their catches, but has also become an art form of its own. The gyotaku method of printmaking uses fish, sea creatures, or similar subjects as its "printing plates". Prints are made using sumi ink and washi paper.
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