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Hughes was a huge proponent of creating a separate black identity and art, hence the extreme antipathy within "Note on Commercial Theatre" to black culture being absorbed by whites. This is reflected in his use of an experimental form for his poem; there is a lack of rhyme scheme and no discernible rhythm to the lines.
A sympathetic character is a fictional character in a story whom the writer expects the reader to identify with and care about, [1] if not admire. Protagonists , almost by definition, fit into the category of a sympathetic character; so, however, do many supporting characters and even antagonists .
Odyssey (), Alice's Adventures in Wonderland (Lewis Carroll), "Goldilocks and the Three Bears", Orpheus, The Time Machine (), Peter Rabbit (Beatrix Potter), The Hobbit (J.R.R. Tolkien), Brideshead Revisited (Evelyn Waugh), "The Rime of the Ancient Mariner" (Samuel Taylor Coleridge), Gone with the Wind (Margaret Mitchell), The Third Man, The Lion King, Back to the Future, The Lion, the Witch ...
A summary is not meant to reproduce the experience of reading or watching the work. In fact, readers might be here because they didn't understand the original. Just repeating what they have already seen or read is unlikely to help them. Do not attempt to re-create the emotional impact of the work through the plot summary.
While the overly sympathetic characters do not survive the course of the novel, the rational characters do survive, suggesting that at the very least, a balance of sympathy and rational thinking (or the use of reason to overcome passion) are necessary for a productive, successful member of society.
Sympathetic nervous system, in neurology and neuroscience, a part of the autonomic nervous system; Sympathetic resonance, a harmonic phenomenon wherein a body responds to external vibrations; Sympathetic strings, in music theory, strings on a musical instrument that resonate without contact "Sympathetic", a song by Seether from Disclaimer II
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Mar et al., in a study of 94 participants, identified that the primary mode of literature that increases empathy is fiction, as opposed to non-fiction. [5] Other studies verify these results and go on to specify that active fiction in particular engages with the reader and affects the reader’s empathy, at the very least in adults, rather than passive, entertainment fiction. [6]