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The Baroque (UK: / bəˈrɒk / bə-ROK, US: /- ˈroʊk / -ROHK; French: [baʁɔk]) is a Western style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. [1] It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as ...
The doctrine of the affections, also known as the doctrine of affects, doctrine of the passions, theory of the affects, or by the German term Affektenlehre (after the German Affekt; plural Affekte) was a theory in the aesthetics of painting, music, and theatre, widely used in the Baroque era (1600–1750). [1][2] Literary theorists of that age ...
Caravaggio's innovations inspired Baroque painting, but the latter incorporated the drama of his chiaroscuro without the psychological realism. [dubious – discuss] The style evolved and fashions changed, and Caravaggio fell out of favour. In the 20th century, interest in his work revived, and his importance to the development of Western art ...
The Fold: Leibniz and the Baroque (French: Le Pli: Leibnitz et le Baroque) is a book by Gilles Deleuze which offers a new interpretation of the Baroque and of the work of Leibniz. [1] Deleuze argues that Leibniz's work constitutes the grounding elements of Baroque philosophy of art and science. Deleuze views Leibniz's concept of the monad as ...
e. Baltasar Gracián y Morales, S.J. (Spanish: [baltaˈsaɾ ɣɾaˈθjan]; 8 January 1601 – 6 December 1658), better known as Baltasar Gracián, was a Spanish Jesuit priest and Baroque prose writer and philosopher. He was born in Belmonte, near Calatayud (Aragón). His writings were lauded by Schopenhauer and Nietzsche.
Philosophical communication. The world transforms under the instance of the person into a world of relationships, into a human world, which clearly distinguishes itself from the world of experience. — Martin Buber, I and Thou. Philosophical communication, or the way of communicating philosophical thought, is a specific aspect of communication ...
Neoclassicism is a revival of the many styles and spirit of classic antiquity inspired directly from the classical period, [7] which coincided and reflected the developments in philosophy and other areas of the Age of Enlightenment, and was initially a reaction against the excesses of the preceding Rococo style. [8]
The Carracci (/ kəˈrɑːtʃi / kə-RAH-chee, UK also / kəˈrætʃi / kə-RATCH-ee, [1][2] Italian: [karˈrattʃi] ⓘ) were a Bolognese family of artists that played an instrumental role in bringing forth the Baroque style in painting. Brothers Annibale (1560–1609) and Agostino (1557–1602) along with their cousin Ludovico (1555–1619 ...