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In the early 18th century, men's shoes continued to have a squared toe, but the heels were not as high. From 1720 to 1730, the heels became even smaller, and the shoes became more comfortable, no longer containing a block toe. The shoes from the first half of the century often contained an oblong buckle usually embedded with stones. [17]
Working-class people in 18th century England and America often wore the same garments as fashionable people—shirts, waistcoats, coats and breeches for men, and shifts, petticoats, and dresses or jackets for women—but they owned fewer clothes and what they did own was made of cheaper and sturdier fabrics.
Glossary of 18th Century Costume Terminology; An Analysis of An Eighteenth Century Woman's Quilted Waistcoat by Sharon Ann Burnston Archived 2010-05-22 at the Wayback Machine; French Fashions 1700 - 1789 from The Eighteenth Century: Its Institutions, Customs, and Costumes, Paul Lecroix, 1876 "Introduction to 18th Century Men and Women's Fashion".
Boy in a light frock, with masculine hat (on ground) and drum, England, late 18th century English-inspired pantaloon suit. Germany, late 18th century. The skeleton suit consisted of trousers and tight-fitting jacket, buttoned together at the waist or higher up; they were not unlike the romper suit introduced in the early 20th century. [12]
A banyan is a garment worn by European men and women in the late 17th and 18th century, influenced by the Japanese kimono brought to Europe by the Dutch East India Company in the mid-17th century. [1] "Banyan" is also commonly used in present-day Indian English and other countries in the Indian subcontinent to mean "vest" or "undershirt".
A justacorps or justaucorps (/ ˈ ʒ uː s t ə k ɔːr /) [1] is a knee-length coat worn by men in the latter half of the 17th century and throughout the 18th century. It is of French origin, where it had developed from a cape-like garment called a casaque. [2]
During the 1820s in European and European-influenced countries, fashionable women's clothing styles transitioned away from the classically influenced "Empire"/"Regency" styles of c. 1795–1820 (with their relatively unconfining empire silhouette) and re-adopted elements that had been characteristic of most of the 18th century (and were to be ...
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