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French artists; Artists (chronological) Artists – Painters; Sculptors – Architects; Photographers; Thematic; Art movements (chronological) Art movements (category) Salons and academies; French art museums; Movements; Impressionism – Cubism; Dada – Surrealism; School of Paris; See also; France portal; Visual arts portal; Western art history
French art consists of the visual and plastic arts (including French architecture, woodwork, textiles, and ceramics) originating from the geographical area of France.Modern France was the main centre for the European art of the Upper Paleolithic, [citation needed] then left many megalithic monuments, and in the Iron Age many of the most impressive finds of early Celtic art.
17th-century French art is generally referred to as Baroque, but from the mid- to late 17th century, the style of French art shows a classical adherence to certain rules of proportion and sobriety uncharacteristic of the Baroque as it was practiced in most of the rest of Europe during the same period.
In painting, the greatest representative of this style is Jacques-Louis David who, mirroring the profiles of Greek vases, emphasized the use of the profile; his subject matter often involved classical history (the death of Socrates, Brutus). The dignity and subject matter of his paintings were greatly inspired by Nicolas Poussin in the 17th ...
19th-century French art was made in France or by French citizens during the following political regimes: Napoleon's Consulate (1799–1804) and Empire (1804–14), the Restoration (1814–30), the July Monarchy (1830–48), the Second Republic (1848–52), the Second Empire (1852–71), and the first decades of the Third Republic (1871–1940).
20th-century French art developed out of the Impressionism and Post-Impressionism that dominated French art at the end of the 19th century. The first half of the 20th century in France saw the even more revolutionary experiments of Cubism , Dada and Surrealism , artistic movements that would have a major impact on western, and eventually world ...
Both paintings were done on huge canvases that would typically be used for history paintings. [8] Although Courbet's early works emulated the sophisticated manner of Old Masters such as Rembrandt and Titian, after 1848 he adopted a boldly inelegant style inspired by popular prints, shop signs, and other work of folk artisans. [9]
Henri Matisse, 1916-17, Le Peintre dans son atelier (The Painter and His Model), oil on canvas, 146.5 x 97 cm, Musée National d'Art Moderne, Centre Georges Pompidou, Paris.jpg 839 × 1,271; 223 KB Henri Matisse, 1916-17, Nu (Lorette allongée sur fond rouge, Sleeping Nude on a Red Background), oil on canvas, 95 x 196 cm, Private collection.jpg ...
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