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The enthusiasm doo-wop fans had for the Chords' music was dampened when Gem Records claimed that one of the groups on its roster was called the Chords; consequently the group changed their name to the Chordcats. [3] Their success was a one-off as subsequent releases, including "Zippity-Zum", all failed to chart. [3]
It was written by James Keyes, Claude Feaster, Carl Feaster, Floyd F. McRae, and William Edwards, members of the Chords, and was released in 1954. It is sometimes considered the first doo-wop or rock and roll record to reach the top ten on the pop charts (as opposed to the R&B charts), as it was a top-10 hit that year for both the Chords (who ...
James Elton Keyes (born June 16, 1944) is a former American football placekicker and linebacker who played two seasons with the Miami Dolphins of the National Football League (NFL). He played college football at Mississippi and was drafted by the Dolphins in the second round of the 1968 NFL/AFL Draft .
A [[contr afact]] is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to ...
Jazz chords are chords, chord voicings and chord symbols that jazz musicians commonly use in composition, improvisation, and harmony. In jazz chords and theory, most triads that appear in lead sheets or fake books can have sevenths added to them, using the performer's discretion and ear. [ 1 ]
2. “At Last” by Etta James (1960) Chances are, you’ve heard this song at least once in your lifetime. The minute Etta James croons “At last…” you’re swaying to the music and ...
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Music writers have noted Keys' transition from 1960s and 1970s R&B and soul to 1980s and 1990s pop-oriented sound with the album. [17] [18] [19] Ben Ratliff of The New York Times described most of the album's songs as "professionals ... slow, clean songs with semi-classical acoustic piano, soft-pop chord changes and simple, prominent hip-hop ...
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