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The katabasis of Orpheus in book 10 is the last major inclusion of the theme by Ovid in the Metamorphoses. Orpheus is distraught by the death of his wife, Eurydice . He enters the Underworld through the Spartan Gates and visits Dis and Proserpina to beg for the return of his bride.
In ancient Greek religion, The Gaze of Orpheus is derived from the antiquarian Greek myth of Orpheus and Eurydice.In the story of Orpheus, the poet descends to the underworld to retrieve his wife, Eurydice from premature death, only on Hades’ and Persephone's condition that he does not look at her during the process.
Orphic mosaics were found in many late-Roman villas. Orphism is the name given to a set of religious beliefs and practices [1] originating in the ancient Greek and Hellenistic world, [2] associated with literature ascribed to the mythical poet Orpheus, who descended into the Greek underworld and returned.
Orpheus's mother taught him to make verses for singing. He is also said to have studied in Egypt. [54] Orpheus is said to have established the worship of Hecate in Aegina. [55] In Laconia Orpheus is said to have brought the worship of Demeter Chthonia [56] and that of the Κόρες Σωτείρας (Kóres Sōteíras; 'Saviour Maidens').
Orpheus played with his lyre a song so heartbreaking that even Hades himself was moved to compassion. The god told Orpheus that he could take Eurydice back with him, but under one condition: she would have to follow behind him while walking out from the caves of the underworld, and he could not turn to look at her as they walked.
Orpheus's life. Aornum (Ancient Greek: Ἄορνον) was an oracle in Ancient Greece, located in Thesprotia in a cave called Charonium (Χαρώνειον ἄντρον or χάσμα) which gave forth poisonous vapours. [1] The name of the cave, "Charon's Cave", reflects the belief that it was an entrance for Hades, the Greek underworld. [2]
Hades and Cerberus, in Meyers Konversationslexikon, 1888. Hades, as the god of the dead, was a fearsome figure to those still living; in no hurry to meet him, they were reluctant to swear oaths in his name, and averted their faces when sacrificing to him. Since to many, simply to say the word "Hades" was frightening, euphemisms were pressed ...
Orpheus performing before Pluto and Persephone was a common subject of ancient and later Western literature and art, and one of the most significant mythological themes of the classical tradition. [51] The demonstration of Orpheus's power depends on the normal obduracy of Pluto; the Augustan poet Horace describes him as incapable of tears. [52]