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  2. A440 (pitch standard) - Wikipedia

    en.wikipedia.org/wiki/A440_(pitch_standard)

    The following year, Swinburne represented the Musical Association at a preliminary conference to determine the British stance on concert pitch. British piano tuners had adopted A439 as the standard in 1899, but Swinburne pointed out that 439 was a prime number, whereas 440 could be more easily factored and electronically synthesized.

  3. Scientific pitch notation - Wikipedia

    en.wikipedia.org/wiki/Scientific_pitch_notation

    For standard A440 pitch equal temperament, the system begins at a frequency of 16.35160 Hz, which is assigned the value C 0. The octave 0 of the scientific pitch notation is traditionally called the sub-contra octave, and the tone marked C 0 in SPN is written as ,,C or C,, or CCC in traditional systems, such as Helmholtz notation.

  4. Scientific pitch - Wikipedia

    en.wikipedia.org/wiki/Scientific_pitch

    Scientific pitch, also known as philosophical pitch, Sauveur pitch or Verdi tuning, is an absolute concert pitch standard which is based on middle C (C 4) being set to 256 Hz rather than ~ 261.63 Hz, [a] making it ~ 31.77 cents lower than the common A440 pitch standard.

  5. Bark scale - Wikipedia

    en.wikipedia.org/wiki/Bark_scale

    A440 Play ⓘ. 440 Hz = 4.21 or 4.39. The Bark scale is a psychoacoustical scale proposed by Eberhard Zwicker in 1961. It is named after Heinrich Barkhausen, who proposed the first subjective measurements of loudness. [1] One definition of the term is "a frequency scale on which equal distances correspond with perceptually equal distances.

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    In Job A, Joe will get 88 hours of paid holiday time and 40 hours of paid sick time in the first year. So he will work 1,952 hours, but he will get paid for 2,080 hours at $15 per hour , or $31,200.

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  8. Musical temperament - Wikipedia

    en.wikipedia.org/wiki/Musical_temperament

    For instance, 660 Hz / 440 Hz (a ratio of 3:2) constitutes a fifth, and 880 Hz / 440 Hz (2:1) an octave. Such intervals (termed "just") have a stability, or purity to their sound, when played simultaneously (assuming they are played using timbres with harmonic partials) because pure intervals do not waver or beat regularly.

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