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Mirza Ghalib is considered one of the leading literary authority on Urdu poetry. [3] He lived in Delhi [4] and died in 1869. The literal meaning of shayar (shaa'ir) is poet. [5] There are more than 30 types of Urdu poetry, also known as shayari. Examples of shayari are ghazal, sher, nazm, marsiya, qita and many more. [6]
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
Ghulam Hamdani Mushafi, the poet first believed to have coined the name "Urdu" around 1780 AD for a language that went by a multiplicity of names before his time. [1] Mirza Muhammad Rafi, Sauda (1713–1780) Siraj Aurangabadi, Siraj (1715–1763) Mohammad Meer Soz Dehlvi, Soz (1720-1799) Khwaja Mir Dard, Dard (1721–1785)
Parveen Shakir PP (pronounced [ˈpəɾʋiːn ʃɑːkɪɾ]; 24 November 1952 – 26 December 1994) was a Pakistani poet and civil servant of the government of Pakistan.She is best known for her poems, which brought a distinctive feminine voice to Urdu literature.
The poem appeared in his first collection of poetry Naqsh-e-Fariyadi, published in 1943. [ 2 ] [ 3 ] Faiz belonged to the Progressive Writers’ Movement and "Mujhe Se Pehli Si Mohabbat Mere Mehboob Na Maang" marks his transition from ‘traditional Urdu poetry , to poetry with purpose’.
Majeed Amjad – Punjabi writer, Urdu poet (1914–1974) Mehmood Sham – Pakistani journalist Pages displaying short descriptions of redirect targets Moeen Nizami – Pakistani poet Pages displaying wikidata descriptions as a fallback
Musaddas (Urdu: مسدس) is a genre of Urdu poetry in which each unit consists of 6 lines-sestain- (misra). Famous early writers employing this form are Mir Anis and Dabeer. Maulana Altaf Husain Hali and Waheed Akhtar are other well-known poets to find expression in this form of poetry. Particularly iconic is Hali's Madd-o-Jazr-e-Islam as an ...
Most of Shakir's ghazalyaat contain five to ten couplets, often - though not always - inter-related. Sometimes, two consecutive couplets may differ greatly in meaning and context [For example, in one of her works, the couplet 'That girl, like her home, perhaps/ Fell victim to the flood' is immediately followed by 'I see light when I think of you/ Perhaps remembrance has become the moon'].